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THE BODY IN QUESTION

This honest, mature look at life and love adds to a growing body of evidence leading to a decisive verdict: Ciment is an...

Two sequestered jurors on a tabloidworthy Florida murder trial tumble into an impassioned, illicit affair in this engaging, empathetic novel.

In a jury holding room, waiting to be called into the courtroom for a voir dire, two prospective jurors, identified for most of the book only as C-2 and F-17, begin a flirtation that rapidly grows into a full-blown love affair. C-2 is a 52-year-old female photographer of some renown. Having shot portraits for magazines like Rolling Stone and Interview early in her career, she eventually concluded she was interested in people not as individuals but as a species, and she turned her lens to other subjects, such as war and animals. C-2 is married to a much older man, a Pulitzer Prize–winning journalist who is now 85. Their once-ardent relationship has evolved, and she is increasingly aware of the toll time is taking on their lives and bodies. Now, intensely attracted to F-17, a professor of anatomy in his early 40s with a pitted complexion, piercing blue eyes, and “beautiful feet,” C-2 finds herself hoping for “one last dalliance before she gets too old.” As the affair plays out against a backdrop of a gruesome, sad, and unsettling murder trial (a teenage girl stands accused of killing her toddler brother, but is the real culprit her twin sister?) and the shabby Econo Lodge accommodations and unappetizing luncheonette meals the court has arranged for the jurors during their sequestration, C-2, as both a lover and a juror, must weigh issues of guilt and innocence, loyalty and betrayal, life and death, passion and compassion. Ciment (Act of God, 2015, etc.) lays out the plot—part love story, part whodunit, part coming-of-old-age tale—with gentle sensitivity and straightforward intelligence, approaching complex emotions and conflicting loyalties as might a good juror: observing her characters’ behavior with an open mind and heart, an ability to consider context and varied perspectives, an appreciation for the evidence, and a notable lack of judgment.

This honest, mature look at life and love adds to a growing body of evidence leading to a decisive verdict: Ciment is an author well worth reading.

Pub Date: June 11, 2019

ISBN: 978-1-5247-4798-5

Page Count: 192

Publisher: Pantheon

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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