Some laughs, but very much the same old.
Five-time Emmy-nominated screenwriter (Late Night with David Letterman, etc.) debuts with a lackluster Sex and the City clone.
Ruby Capote is a Boston columnist whose beat is the woe of single women. She oughta know: Her silly boyfriend Doug collects the little plastic thingies from bread bags and calls his purple Porsche “The Grape.” Hoping to move on, Ruby sends tear sheets and a six-pack to the editor of the New York News, handsome Michael Hobbs, who eventually assigns her to the men-are-scum beat. He oughta know: he’s quasi-engaged to a beauty, but obviously eager to hook up with Ruby, whose new circle of friends offers plenty of material. Amoral and gorgeous model Skorka prefers married men—they don’t get attached and never leave their socks lying around. Jenn is an overworked factotum for a manically demanding media personality. Lily’s never had much luck with men—is she a lesbian? Divorced Danielle just dumped her 23-year-old swain after discovering he’s the son of a previous lover. And so on, through mildly comedic matters that include a vagina visualization workshop á la Eve Ensler—but Ruby has other things on her mind and can’t imagine what her vagina would say or wear (if it could). Doug’s been offered a job in New York, but that relationship is totally over, even though the clueless chump doesn’t think so. A hallway flirtation and subsequent fling with a sexy neighbor, TV exec Tom, goes nowhere, which leaves only Michael, but he’s her boss. Obligatory forays are taken into Ruby’s past: the car crash that killed her alcoholic father; the adolescent crush she had on her shrink. These alone may not explain why her relationships with men are difficult, but when she finds out Michael’s dark secret, she’s ready to believe that men really are scum. The girlfriends concur, though Ruby makes up her own mind in the end.
Some laughs, but very much the same old.Pub Date: Feb. 26, 2002
ISBN: 0-375-50514-8
Page Count: 240
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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