Despite some witty banter, there is little to distinguish this book, or Eden as a character, from others of the chick-lit...

READ REVIEW

ARM CANDY

Iconic muse of the New York City art scene contemplates cougardom as 40 looms.

Eden is sure her ethereal beauty will be her ticket out of her backwater hometown. Drawn to Manhattan by the lure of a modeling career, the fetching high-school dropout, after a brief stint as head groupie to a rock star, latches on to Wes, a sensitive, bespectacled architecture student. Soon, however, an older man, Otto, a painter at the top of the art heap, notices 19-year-old Eden and whisks her away to his rarified world of international jetsetters, well-heeled collectors and post-Warhol hedonism. Otto paints Eden in various states of undress, and, overnight, she’s a worldwide sensation, beating out Demi Moore for glossy cover space. Otto and Eden cohabit, travel the world and produce a son, but they never marry. Through it all, Eden turns to her trash-talking high-school buddy Allison for moral support. Allison’s fluency in the latest argot, and her role as cynical foil to Eden’s at times enervating guilelessness, enliven the book, but not often enough. When Otto seduces his latest dewy assistant, Eden storms out, heading uptown, where her looks, still holding at 39, net another conquest: Chase, scion of old-money Upper East Siders, handsome enough to flummox an entire gay bar even if he’s only there for Broadway Karaoke. He falls hard for Eden, although she’s 12 years older, scandalizing his mother Brooke. His grandmother Ruthie urges Chase to bust out of his noblesse oblige and throw off the yoke of Brooke and his “Hitchcock blonde” girlfriend Liesel, whom Chase has kept hankering after the diamond in Ruthie’s vault way too long. When Liesel dumps him, Chase’s path to Eden is clear, but a chance encounter reopens Eden’s roads not taken, with predictable results.

Despite some witty banter, there is little to distinguish this book, or Eden as a character, from others of the chick-lit genre.

Pub Date: May 1, 2010

ISBN: 978-0-525-95159-9

Page Count: 336

Publisher: Dutton

Review Posted Online: Sept. 21, 2010

Kirkus Reviews Issue: March 15, 2010

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Reader Votes

  • Readers Vote
  • 11

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

A love letter to the power of books and friendship.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?

more