The author has strong ideas but relies too heavily on acronyms and abbreviations and fails to create a multidimensional...
West Coast transplant does battle with Manhattan’s über-moms—Kargman’s first solo after co-authoring two books with Carrie Karasyov (Wolves in Chic Clothing, 2005, etc.).
When Hannah Foster’s husband, Josh, announces he’s been offered a dream job in New York City, Hannah supports him completely—even if it means uprooting her two-year-old daughter, Violet, and leaving behind her close-knit group of San Francisco friends. Hannah dutifully packs up their home and heads cross-country. Despite the sterile temporary apartment, Hannah’s determined to make the move work for her family and give Violet an amazing New York experience. Josh, a native New Yorker, won’t have time to help Hannah transition into this strange world. The best he can do is to connect Hannah with a high-school chum, Bee—now the queen of the “momzillas,” or New York’s elite mothers. These size-two gals inhabit Manhattan’s Upper East Side and make it their mission to look flawless while rearing the next generation of Ivy Leaguers. Perfectly groomed and hyper-connected within New York society, Bee and her cohorts can make or break Hannah’s acceptance into this world of $18,000 private preschools. Hannah’s Nine Inch Nails concert tees and Converse sneakers don’t mesh with cashmere twin sets and pearls, but since Hannah wants the very best for Violet, she’s willing to play their game. Making her way in this alien world where moms outsource the dirty work isn’t a snap, and the outwardly helpful Bee has it in for Hannah. Navigating the playground politics of this privileged crowd nearly breaks Hannah’s spirit. Fortunately, she’s able to shake off her naïveté and claim the city in her own way.
The author has strong ideas but relies too heavily on acronyms and abbreviations and fails to create a multidimensional villain. Still, a decent effort that debunks the myth of the perfect mommy.Pub Date: April 17, 2007
ISBN: 0-7679-2478-9
Page Count: 304
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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