A splendid rendering—filled with triumph, tragedy, and hope—that will please Lepore’s readers immensely and win her many new...

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THESE TRUTHS

A HISTORY OF THE UNITED STATES

The celebrated New Yorker writer and Bancroft Prize winner tells the American story.

“A nation born in revolution will forever struggle against chaos,” writes Lepore (History/Harvard Univ.; Joe Gould’s Teeth, 2016, etc.). In this mammoth, wonderfully readable history of the United States from Columbus to Trump, the author relies on primary sources to “let the dead speak for themselves,” creating an enthralling, often dramatic narrative of the American political experiment based on Thomas Jefferson’s “truths” of political equality, natural rights, and the sovereignty of the people. The author recounts major events—the Revolution, Civil War, world wars, Vietnam, 9/11, and the war on terror—while emphasizing the importance of facts and evidence in the national story, as well as the roles of slavery (“America’s Achilles’ heel”) and women, both absent in the founding documents. Lepore offers crisp, vivid portraits of individuals from Benjamin Franklin and Thomas Paine to Liberator writer Maria W. Stewart and preacher David Walker to contemporaries like “rascal” Bill Clinton, sporting a “grin like a 1930s comic-strip scamp.” “To study the past is to unlock the prison of the present,” writes the author, noting recurrent debates about guns, abortion, and race. “Slavery wasn’t an aberration in an industrial economy; slavery was its engine,” she reminds. Throughout, Lepore provides sharp observations (“instead of Marx, America had Thoreau”) and exquisite summaries: In World War I, “machines slaughtered the masses. Europe fell to its knees. The United States rose to its feet.” She discusses the “aching want” of the Depression and the “frantic, desperate, and paranoid” politics of today. Always with style and intelligence, Lepore weaves stories of immigrants and minorities, creates moving scenes (Margaret Fuller’s death in a storm off New York City), and describes the importance of photography and printed newspapers in the lives of a divided people now “cast adrift on the ocean of the Internet.”

A splendid rendering—filled with triumph, tragedy, and hope—that will please Lepore’s readers immensely and win her many new ones.

Pub Date: Sept. 18, 2018

ISBN: 978-0-393-63524-9

Page Count: 960

Publisher: Norton

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: June 15, 2018

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Bibliophiles will love this fact-filled, bookish journey.

THE LIBRARY BOOK

An engaging, casual history of librarians and libraries and a famous one that burned down.

In her latest, New Yorker staff writer Orlean (Rin Tin Tin: The Life and the Legend, 2011, etc.) seeks to “tell about a place I love that doesn’t belong to me but feels like it is mine.” It’s the story of the Los Angeles Public Library, poet Charles Bukowski’s “wondrous place,” and what happened to it on April 29, 1986: It burned down. The fire raged “for more than seven hours and reached temperatures of 2000 degrees…more than one million books were burned or damaged.” Though nobody was killed, 22 people were injured, and it took more than 3 million gallons of water to put it out. One of the firefighters on the scene said, “We thought we were looking at the bowels of hell….It was surreal.” Besides telling the story of the historic library and its destruction, the author recounts the intense arson investigation and provides an in-depth biography of the troubled young man who was arrested for starting it, actor Harry Peak. Orlean reminds us that library fires have been around since the Library of Alexandria; during World War II, “the Nazis alone destroyed an estimated hundred million books.” She continues, “destroying a culture’s books is sentencing it to something worse than death: It is sentencing it to seem as if it never happened.” The author also examines the library’s important role in the city since 1872 and the construction of the historic Goodhue Building in 1926. Orlean visited the current library and talked to many of the librarians, learning about their jobs and responsibilities, how libraries were a “solace in the Depression,” and the ongoing problems librarians face dealing with the homeless. The author speculates about Peak’s guilt but remains “confounded.” Maybe it was just an accident after all.

Bibliophiles will love this fact-filled, bookish journey.

Pub Date: Oct. 16, 2018

ISBN: 978-1-4767-4018-8

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: July 2, 2018

Kirkus Reviews Issue: July 15, 2018

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