Crace continues to occupy a singular place in contemporary literature.
Rarely does language so plainspoken and elemental tell a story so richly open to interpretation on so many different levels.
Is this a religious allegory? An apocalyptic fable? A mystery? A meditation on the human condition? With economy and grace, the award-winning Crace (The Pesthouse, 2007, etc.) gives his work a simplicity and symmetry that belie the disturbances beneath the consciousness of its narrator. It’s a narrative without specifics of time or place, in the countryside of the author’s native England, following a harvest that will prove different than any the villagers have ever experienced, in a locale where, explains the narrator, “We do not even have a title for the village. It is just The Village. And it’s surrounded by The Land.” In the beginning, the narrator speaks for the community, “bounded by common ditches and collective hopes,” yet one where “[t]heir suspicion of anyone who was not born within these boundaries is unwavering.” The “they” proves crucial, as the narrator who initially speaks for the collective “we” reveals that he is in fact an outsider, brought to the village 12 years earlier by the man who is the master of the manor, and that he is someone who has become a part of the community, yet remains apart from it. There has been a fire following the harvest, disrupting the seasonal cycle, and although evidence points to three young men within the community, blame falls on two men and a woman who have recently camped on the outskirts. There is also someone making charts of the land and an issue of succession of ownership. There is a sense that this harvest may be the last one for these people, that the land may be converted to different use. “[P]lowing is our sacrament, our solemn oath, the way we grace and consecrate our land,” yet that way of life may soon be over. “There isn’t one of us—no, them—who’s safe,” declares the narrator, who must ultimately come to terms with the depths of his solitude.
Crace continues to occupy a singular place in contemporary literature.Pub Date: Feb. 12, 2013
ISBN: 978-0-385-52077-5
Page Count: 224
Publisher: Nan A. Talese
Review Posted Online: Dec. 2, 2012
Kirkus Reviews Issue: Dec. 15, 2012
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
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