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HENRY DARGER, THROW-AWAY BOY

THE TRAGIC LIFE OF AN OUTSIDER ARTIST

The author’s sociocultural agenda distorts a deeper understanding of the artist’s oeuvre.

Queer culture historian Elledge (Professional Writing Program/Kennesaw St. Univ.; H: Poems, 2012, etc.) provides a startling new perspective on a famous outsider artist.

A reclusive dishwasher who spent his spare time writing sprawling novels and illustrating them with vivid drawings and collages, Henry Darger (1892–1973) has inspired equal amounts of praise, derision and horror. His epic work, In the Realms of the Unreal, depicts the adventures of the Vivian Girls, a group of child warriors who retaliates against the barbaric generals who torture, rape and kill innocent children. The graphic nature of the illustrations, along with the fact that the girls often appear naked and have male genitalia, has alternately fascinated and repulsed viewers. Some historians have accused Darger of pedophilia, and others have even suggested that his obsession with the disappearance and murder of a local girl indicate that he may have killed her (her murder was never solved). Elledge takes umbrage at these accusations and makes a case for Darger as a man who had himself been the victim of sexual abuse, both in the seedy Chicago neighborhood where he grew up and in the various institutions where he lived as an adolescent after his alcoholic father abandoned him. Elledge also claims that Darger’s decadeslong relationship with William Schloeder was a romantic one, citing Darger’s own oblique journal entries as well as research on gay culture in Chicago during the early 20th century. While Elledge has clearly conducted an impressive amount of research on Darger’s milieu, the artist’s own unwillingness to specify what actually happened to him during his years of institutionalization make the author’s assertions speculative at best. He also fails to place Darger within the context of other 20th-century self-taught artists until the last few pages of the book, and he barely covers Darger’s striking use of color and composition.

The author’s sociocultural agenda distorts a deeper understanding of the artist’s oeuvre.

Pub Date: Sept. 1, 2013

ISBN: 978-1-59020-855-7

Page Count: 384

Publisher: Overlook

Review Posted Online: June 30, 2013

Kirkus Reviews Issue: July 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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