Plenty of fast-paced action that tries to cover too much ground.
An exposed undercover agent awaits rescue and recalls his past in this ambitious cross between a coming-of-age tale and a period thriller.
Gilliam’s debut novel could be described as three-in-one. It opens with undercover narcotics agent Tim Kelly being discovered by Rodolfo Guzman, his longtime surrogate father and the drug kingpin he has agreed to betray. Kelly suffers through merciless torture and blacks out to recollections of his past—of growing up in the 1950s in Port Isabel, Texas, running off to the mean streets of New Orleans and eventually lying his way into the U.S. Coast Guard, where a heinous friendly-fire incident in Vietnam, along with its subsequent whitewash and Kelly’s dishonorable discharge, forever alters the way he sees his world. Kelly is a throwback to the spirit of Horatio Alger, a young man capable of almost anything through sheer gumption. Everything comes naturally to him, his only weakness being his temper, which makes him not the most original protagonist, but still an endearing one. Similarly, Guzman transforms organically from the friendly benevolent figure to the betrayed, cutthroat mobster, and his constant presence, looking out for Kelly and asking nothing in return, greatly complicates Kelly’s decision to turn informant. Other characters are more simplistic—the thug Rucho never changes from the bully that Kelly bests on the playground, Kelly’s love interest is only there to suffer and drive him forward and the brave men who die in the novel’s eponymous tragedy aren’t fleshed out enough to drive home the loss Kelly feels. Gilliam’s knowledge of the technical aspects of military service is obvious, and though it slows the story’s pace, these details will be appreciated by those who enjoy well-researched nautical jargon. The pacing also suffers from the book’s scope—in telling a story about growing up, the military and infiltrating a drug cartel, Gilliam’s tale never slows down long enough to give its most tragic and important moments their proper emotional weight.
Plenty of fast-paced action that tries to cover too much ground.Pub Date: Dec. 15, 2010
ISBN: 978-1609106218
Page Count: 316
Publisher: N/A
Review Posted Online: March 24, 2011
Review Program: Kirkus Indie
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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