An overwrought account of first gay love, from the North Carolinian playwright and novelist (Winter Birds, 1994), whose ornately lyrical style requires a firmer foundation than is provided by his perilously shapeless plot. Bookworm Nathan, a high-school sophomore, is as lonely as he is bright. The only child of a prodigiously disturbed southern family, he's subjected to unremitting emotional and sexual abuse at the hands of his drunkard father while his morbidly religious mother looks passively on. As the perennial new kid in townNathan's father is a salesman, the family moves around a lot Nathan is used to having few friends, and it is at first his solitude as much as his teenage libido that responds to Roy Connelly, the boy next door who takes Nathan under his wing and introduces him to his classmates at school. Although Roy is two years ahead of Nathan, Nathan becomes Roy's tutor andalmost simultaneouslyhis lover. The brutality of Nathan's family life makes his need for some kind of physical or emotional escape patently clear from the start, but Roy is more of an enigma: He's a seemingly well-adjusted heterosexual with a normal family and a girlfriend, so it's not at all clear what brings him into the younger boy's ken, and this want of motive makes him appear all the more mysterious and ethereal in Nathan's eyes. This ethereality moves beyond the realm of metaphor toward the story's close, however, when the familiar tragedy of star-crossed lovers is surmounted by a magical-realist climax that comes out of nowhere and is yoked by violence onto a plot that seems unsuited for it. By turns rambling and precious, the narrative becomes incoherent by the end. A disappointing second from this award- winning young writer. (Author tour)
Pub Date: Sept. 1, 1995
ISBN: 1-56512-106-6
Page Count: 204
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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