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DREAM BOY

An overwrought account of first gay love, from the North Carolinian playwright and novelist (Winter Birds, 1994), whose ornately lyrical style requires a firmer foundation than is provided by his perilously shapeless plot. Bookworm Nathan, a high-school sophomore, is as lonely as he is bright. The only child of a prodigiously disturbed southern family, he's subjected to unremitting emotional and sexual abuse at the hands of his drunkard father while his morbidly religious mother looks passively on. As the perennial new kid in townNathan's father is a salesman, the family moves around a lot Nathan is used to having few friends, and it is at first his solitude as much as his teenage libido that responds to Roy Connelly, the boy next door who takes Nathan under his wing and introduces him to his classmates at school. Although Roy is two years ahead of Nathan, Nathan becomes Roy's tutor andalmost simultaneouslyhis lover. The brutality of Nathan's family life makes his need for some kind of physical or emotional escape patently clear from the start, but Roy is more of an enigma: He's a seemingly well-adjusted heterosexual with a normal family and a girlfriend, so it's not at all clear what brings him into the younger boy's ken, and this want of motive makes him appear all the more mysterious and ethereal in Nathan's eyes. This ethereality moves beyond the realm of metaphor toward the story's close, however, when the familiar tragedy of star-crossed lovers is surmounted by a magical-realist climax that comes out of nowhere and is yoked by violence onto a plot that seems unsuited for it. By turns rambling and precious, the narrative becomes incoherent by the end. A disappointing second from this award- winning young writer. (Author tour)

Pub Date: Sept. 1, 1995

ISBN: 1-56512-106-6

Page Count: 204

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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