If this is the last we get from Harrison, it serves as a fitting memorial.
A celebration of eating well and drinking even better as a recipe for the good life.
This posthumous collection of food pieces (very broadly defined) by the award-winning novelist serves as a sequel of sorts to The Raw and the Cooked (2001), which documented his insatiable hunger for food, from the mundane to the exotic to the exquisite, and so much more. The linchpin of a collection that holds together surprisingly well is the title piece that he wrote for the New Yorker in 2004, an essay that scandalized some readers in its embrace of excess. “Is there an interior logic to overeating, or does gluttony, like sex, wander around in a messy void, utterly resistant to our attempts to make sense of it?” he wonders. “Not very deep within us, the hungry heart howls, ‘Supersize me!’ ” Some of the other essays also reference this piece, in its vivid description of its 37 courses, along with his ironic complaint that only 19 wines accompanied it. He later writes, “I have often thought that if I received an early warning that I would pass on sooner than later, I’d get myself to Lyon and eat for a solid month, after which they could tip me from a gurney into the blessed Rhone. Maybe I’d swim all the way downstream to Arles for my last supper.” In the latter half of the collection, Harrison proceeds through just the kind of extended warning that the author had suggested, with the thoughts on the way he has lived his life underscored by the ravages he is experiencing. Along the way, the author waxes wickedly funny over matters of art, politics, spirituality, sex, and the commingling of all of them. His advice: “Your meals in life are numbered and the number is diminishing. Get at it.”
If this is the last we get from Harrison, it serves as a fitting memorial.Pub Date: March 24, 2017
ISBN: 978-0-8021-2646-7
Page Count: 272
Publisher: Grove
Review Posted Online: Jan. 9, 2017
Kirkus Reviews Issue: Feb. 1, 2017
PERSPECTIVES
A crash course in big-bucks tort litigation, as rich as any novel on the scene. In the mid-'70s, the small industrial town of Woburn, Mass., found itself afflicted with a plague of biblical dimensions: 12 local children, 8 of them close neighbors, had died (or were dying) of leukemia. The parents suspected the water supply, which was foul-smelling, rusty, and undrinkable, but they had no hard evidence of a link to the cancers. But in 1979, the accidental discovery of carcinogenic industrial wastes in the town's wells led the grieving parents to hire personal-injury lawyer Jan Schlichtmann, new to the profession but intoxicated with the sizable damages he'd won so far. This is magazine journalist Harr's first book, but his complex portrait of Schlichtmann is the work of a master. Egomaniacal, quixotic, workaholic, greedy, altruistic, and naive, Schlichtmann is Everylawyer, and as he allows the Woburn case to consume his practice, he almost loses his license and his life. Harr wisely downplays the dying-children angle, focusing instead on Schlichtmann's case against the two corporate Goliaths who dumped the waste: Beatrice Foods (represented by Jerome Facher of Boston's Hale & Dorr) and W.R. Grace (represented by William Cheeseman of Boston's Foley, Hoag & Eliot). Despite their white- shoe lineage, Facher and Cheeseman play dirty, withholding evidence and repeatedly seeking Schlichtmann's suspension for having filed a ``frivolous'' lawsuit. But the real villain of the story is Federal District Judge Walter J. Skinner, whose personal dislike of Schlichtmann (and camaraderie with Facher) leads him to grant the defense's motion to split the trial into two protracted phases. By the time Judge Skinner submits four incomprehensible questions to be bewildered jury, Woburn's young victims have been forgottenand the whole legal system has suffered a tragic loss. A paranoid legal thriller as readable as Grisham, but important and illuminating. (Film rights to Disney)
Pub Date: Sept. 1, 1995
ISBN: 0-394-56349-2
Page Count: 512
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
A generous and singularly insightful examination of memoir.
A bestselling nonfiction writer offers spirited commentary about memoir, the literary form that has become synonymous with her name.
Personal narrative has exploded in popularity over the last 20 years. Yet, as Karr (Lit: A Memoir, 2009, etc.) points out, memoir still struggles to attain literary respectability. “There is a lingering snobbery in the literary world,” she writes, “that wants to disqualify what is broadly called nonfiction from the category of ‘literature.’ ” In this book, Karr offers both an apology for and a sharp-eyed exploration of this form born from her years as a practitioner as well as a distinguished English professor at Syracuse University. She begins by considering classroom “experiments” she has conducted to show the slipperiness of memory and arguing the need to give latitude to writers tackling memoir. Writing with the intent to record what rings true rather than exact is one thing; writing with the intent to lie is another. Voice is another critical aspect of any memoir that manages to endure through time. By examining works by writers as diverse as Frank McCourt and Vladimir Nabokov, Karr demonstrates that it is in fact the very thing by which a great memoir “lives or dies.” Rather than focus on the narrative truism of “show-don’t-tell,” Karr thoughtfully elaborates on what she calls “carnality”—the ability to transform memory into a multisensory experience—for the reader. When wed to a desire to move beyond the traps of ego and render personal “psychic struggle” honestly and without fear, carnality can lead to writing that not only “wring[s] some truth from the godawful mess of a single life,” but also connects deeply with readers. Karr’s sassy Texas wit and her down-to-earth observations about both the memoir form and how to approach it combine to make for lively and inspiring reading.
A generous and singularly insightful examination of memoir.Pub Date: Sept. 15, 2015
ISBN: 978-0-06-222306-7
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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