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THE ARROW CATCHER

An exciting tale with an engaging young hero, grounded in a well-informed understanding of Japanese culture.

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After his parents’ deaths, an American boy goes to live with his grandfather in postwar Japan and attends an elite boarding school in Mather’s debut novel.

Jonathan is only 6 years old in 1948 when political violence in Boston kills his father and blinds his mother, destroying her emotionally. After her death, he’s sent to Japan to live with his grandfather, an ambassador and judge in Japan’s war-crimes trials, who’s married to a Japanese woman with connections to the royal family. He arranges for the boy to be sent to the Dai Kan, a school “only for the sons of our Imperial Family, our top army and navy officers, and our most respected families,” as a family retainer explains. Although it isn’t made explicit in the novel, all military and martial arts schools were banned in the immediate postwar period; the Dai Kan is allowed to continue “through your grandfather’s direct intervention alone,” says the school’s head. “It was his wish that you become the first non-Japanese to study here…to build a better understanding between our two nations.” As the only gaijin, or foreigner, Jonathan makes some enemies, but he studies hard to learn his academic subjects. He also excels at traditional Japanese martial arts, going on to the even more elite Kami Kan school, where he learns modern techniques and weapons handling. When yakuza gang members stage a daring kidnapping of two young members of the imperial family, Jonathan’s skills are put to the test. Overall, his orphan status, his difference from other students, his affection for his few friends and his earnest desire to succeed make him a sympathetic character. The story might have more clearly indicated the passage of time, however; readers may find themselves guessing at Jonathan’s age from chapter to chapter. Mather, who holds the highest possible karate title of hanshi, uses his knowledge of martial arts and Japanese culture well, providing many fascinating details of instruction, beliefs and practices. The fight scenes, whether during practice or for real, are consistently exciting, and the author makes unfamiliar techniques and complicated maneuvers easy to follow.

An exciting tale with an engaging young hero, grounded in a well-informed understanding of Japanese culture.

Pub Date: Sept. 21, 2013

ISBN: 978-1491011393

Page Count: 268

Publisher: CreateSpace

Review Posted Online: Oct. 24, 2013

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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