An exciting tale with an engaging young hero, grounded in a well-informed understanding of Japanese culture.
After his parents’ deaths, an American boy goes to live with his grandfather in postwar Japan and attends an elite boarding school in Mather’s debut novel.
Jonathan is only 6 years old in 1948 when political violence in Boston kills his father and blinds his mother, destroying her emotionally. After her death, he’s sent to Japan to live with his grandfather, an ambassador and judge in Japan’s war-crimes trials, who’s married to a Japanese woman with connections to the royal family. He arranges for the boy to be sent to the Dai Kan, a school “only for the sons of our Imperial Family, our top army and navy officers, and our most respected families,” as a family retainer explains. Although it isn’t made explicit in the novel, all military and martial arts schools were banned in the immediate postwar period; the Dai Kan is allowed to continue “through your grandfather’s direct intervention alone,” says the school’s head. “It was his wish that you become the first non-Japanese to study here…to build a better understanding between our two nations.” As the only gaijin, or foreigner, Jonathan makes some enemies, but he studies hard to learn his academic subjects. He also excels at traditional Japanese martial arts, going on to the even more elite Kami Kan school, where he learns modern techniques and weapons handling. When yakuza gang members stage a daring kidnapping of two young members of the imperial family, Jonathan’s skills are put to the test. Overall, his orphan status, his difference from other students, his affection for his few friends and his earnest desire to succeed make him a sympathetic character. The story might have more clearly indicated the passage of time, however; readers may find themselves guessing at Jonathan’s age from chapter to chapter. Mather, who holds the highest possible karate title of hanshi, uses his knowledge of martial arts and Japanese culture well, providing many fascinating details of instruction, beliefs and practices. The fight scenes, whether during practice or for real, are consistently exciting, and the author makes unfamiliar techniques and complicated maneuvers easy to follow.
An exciting tale with an engaging young hero, grounded in a well-informed understanding of Japanese culture.Pub Date: Sept. 21, 2013
ISBN: 978-1491011393
Page Count: 268
Publisher: CreateSpace
Review Posted Online: Oct. 24, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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