by Jim Mather ‧ RELEASE DATE: Sept. 21, 2013
An exciting tale with an engaging young hero, grounded in a well-informed understanding of Japanese culture.
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After his parents’ deaths, an American boy goes to live with his grandfather in postwar Japan and attends an elite boarding school in Mather’s debut novel.
Jonathan is only 6 years old in 1948 when political violence in Boston kills his father and blinds his mother, destroying her emotionally. After her death, he’s sent to Japan to live with his grandfather, an ambassador and judge in Japan’s war-crimes trials, who’s married to a Japanese woman with connections to the royal family. He arranges for the boy to be sent to the Dai Kan, a school “only for the sons of our Imperial Family, our top army and navy officers, and our most respected families,” as a family retainer explains. Although it isn’t made explicit in the novel, all military and martial arts schools were banned in the immediate postwar period; the Dai Kan is allowed to continue “through your grandfather’s direct intervention alone,” says the school’s head. “It was his wish that you become the first non-Japanese to study here…to build a better understanding between our two nations.” As the only gaijin, or foreigner, Jonathan makes some enemies, but he studies hard to learn his academic subjects. He also excels at traditional Japanese martial arts, going on to the even more elite Kami Kan school, where he learns modern techniques and weapons handling. When yakuza gang members stage a daring kidnapping of two young members of the imperial family, Jonathan’s skills are put to the test. Overall, his orphan status, his difference from other students, his affection for his few friends and his earnest desire to succeed make him a sympathetic character. The story might have more clearly indicated the passage of time, however; readers may find themselves guessing at Jonathan’s age from chapter to chapter. Mather, who holds the highest possible karate title of hanshi, uses his knowledge of martial arts and Japanese culture well, providing many fascinating details of instruction, beliefs and practices. The fight scenes, whether during practice or for real, are consistently exciting, and the author makes unfamiliar techniques and complicated maneuvers easy to follow.
An exciting tale with an engaging young hero, grounded in a well-informed understanding of Japanese culture.Pub Date: Sept. 21, 2013
ISBN: 978-1491011393
Page Count: 268
Publisher: CreateSpace
Review Posted Online: Oct. 24, 2013
Review Program: Kirkus Indie
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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