Every world-changing scientist deserves such an entertaining but factually rich treatment.
In which the sometimes-irascible but mostly genial British mathematician finds himself a superhero in a comic-book life.
“Is God bound by the laws of physics?” So wondered young Stephen Hawking (1942-2018), who soon enough would find himself bound by motor neurone disease. In the end, after years of thinking about it, he responded in the negative to an interviewer’s question, “Is there room for God in the universe you describe?” Hawking worried about all kinds of things, easily blending the worlds of mathematics and physics. Toward the end of his life, for instance, the thought occurred to him that any extraterrestrials who visited Earth would conclude that humans were a pest and needed to be exterminated. Before that, as writer Ottaviani and artist Myrick (co-authors: Feynman, 2011) note in this fluent, fun graphic biography, Hawking advanced striking theories in a scientific world whose key players sometimes seemed stuck in Newtonian physics—for example, by looking at the mathematics of white dwarf stars, the expanding universe, black holes, and so forth. You might jump into a black hole, he posited, but you would not be able to reverse the direction of the arrow of time, so that by jumping in in the past, you would wind up in the future. “I don’t think you’re going to be able to come up with enough math to prove anything about this,” says a doubtful interlocutor, to which Hawking replies, “Perhaps not. But I’d rather be right than rigorous.” Readers new to Hawking’s ideas, and particularly his enigmatic musings about the nature of time, will find this book, cartoonish as it is, to be full of insight; the science is sharp and to the point. And there are moments of good humor and beauty alike, especially in the vision of Hawking ascending, godlike, toward the event horizon, taking his place in the heavens.
Every world-changing scientist deserves such an entertaining but factually rich treatment.Pub Date: July 2, 2019
ISBN: 978-1-62672-025-1
Page Count: 304
Publisher: First Second
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
An exemplary demonstration of the transformative possibilities of graphic narrative.
A powerful, unsettling use of the graphic medium to share a profoundly disturbing story.
If a boy is not born a monster, how does he become one? Though Backderf (Punk Rock and Trailer Parks, 2008) was once an Ohio classmate of the notorious Jeffrey Dahmer, he doesn’t try to elicit sympathy for “Jeff.” Yet he walks an emotional tightrope here, for he recognizes that someone—maybe the other kids who laughed at and with him, certainly the adults who should have recognized aberration well beyond tortured adolescence—should have done something. “To you Dahmer was a depraved fiend but to me he was a kid I sat next to in study hall and hung out with in the band room,” writes the author, whose dark narrative proceeds to show how Dahmer’s behavior degenerated from fascination with roadkill and torture of animals to repressed homosexuality and high-school alcoholism to mass murder. It also shows how he was shaken by his parents’ troubled marriage and tempestuous divorce, by his emotionally disturbed mother’s decision to move away and leave her son alone, and by the encouragement of the Jeffrey Dahmer Fan Club (with the author a charter member and ringleader) to turn the outcast into a freak show. The more that Dahmer drank to numb his life, the more oblivious adults seemed to be, letting him disappear between the cracks. “It’s my belief that Dahmer didn’t have to wind up a monster, that all those people didn’t have to die horribly, if only the adults in his life hadn’t been so inexplicably, unforgivably, incomprehensibly clueless and/or indifferent,” writes Backderf. “Once Dahmer kills, however—and I can’t stress this enough—my sympathy for him ends.”
An exemplary demonstration of the transformative possibilities of graphic narrative.Pub Date: March 1, 2012
ISBN: 978-1-4197-0216-7
Page Count: 224
Publisher: Abrams ComicArts
Review Posted Online: Dec. 17, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
SEEN & HEARD
This is no idiot’s guide to math, but it could be useful as a supplement to a standard course in calculus.
A tour of calculus from the polymath whose illustrated guides have illuminated a wide range of subjects, from genetics and sex to the environment and the universe.
This time out, unfortunately, Muse cartoonist Gonick’s (The Cartoon History of the Modern World, Part 2, 2009, etc.) presentation is labored, the cartoons are primarily decorative and the course is tough. To begin with, calculus requires four years of high-school math, which the author reprises in the first 50 pages. For many readers this will be a slog through algebra, trigonometry, exponentials, function theory, etc. While most texts map equations onto lines or curves on a standard x-y axis, Gonick introduces parallel lines with arrows connecting an x value on one line to its f(x) value on the parallel line. This approach is particularly unhelpful when you want to visualize, say, minute changes of position (on the y axis) over time (on the x axis). Nor does the author discuss fundamental concepts like continuity or maxima and minima until well into the chapters on the derivative and differential calculus. While he does highlight fundamental theorems and classic rules, Gonick devotes too much space to how-to manipulations like how to differentiate inverse functions. The narrative improves when the author introduces the concept of the integral as the sum of skinny rectangles under a curve, and Gonick provides many helpful, practical examples of how calculus is used.
This is no idiot’s guide to math, but it could be useful as a supplement to a standard course in calculus.Pub Date: Jan. 1, 2012
ISBN: 978-0-06-168909-3
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 6, 2011
Kirkus Reviews Issue: Nov. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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