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DYING FOR DANA

Patton keeps the pot boiling briskly in the deceptively laid-back manner of Elmore Leonard, but his real gift is to get...

Max Travis, the white-knight ADA of Portland, Oregon, is in big trouble this time, and it’s all his fault.

Max (The Shake, 2000) doesn’t think he’s in trouble, of course. Max thinks he’s in love. The twice-divorced workaholic, who’s just been dumped by his old professional rival, defense attorney Paige Prescott, has caught the eye of hairstylist Dana Waverleigh just as his friend Bill Roop was splitting up with her, and he’s fallen hard. After one night together he can hear bells ringing; after three dates they’re talking about marriage and children; after two weeks Max feels as if he’s known her forever. But he hasn’t, or he’d know that in addition to her three husbands, she’s been with a man who fathered one of her daughters and, more recently and disastrously, with Jack Nitzl, the underhanded used-car dealer who, inspired by her offhand remark about the home safe where Roop keeps the take from his bar, has staged a home invasion together with cranked-up body-shop owner Nicky Bortolotti—who, surprised to see Roop entertaining retired basketball player Highwire Harris and not that crazy about African-Americans anyway, has capped the evening by shooting the athlete. It gets worse. Jack, catching a glimpse of Dana as he flees the scene, threatens to give her up to the cops as a willing co-conspirator unless she feeds him information on every move Max is making. And Nicky, for whom personal loyalty is a lot less important than his next fix, is getting more and more impatient with anybody he thinks might be onto him.

Patton keeps the pot boiling briskly in the deceptively laid-back manner of Elmore Leonard, but his real gift is to get inside his driven characters—from sky-high Nicky to basically nice Dana to Max, dazed by a love too good to be true—and evoke the energy and frequent sweetness behind their improbable ardor.

Pub Date: Nov. 1, 2003

ISBN: 0-765-30649-2

Page Count: 336

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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