Patton keeps the pot boiling briskly in the deceptively laid-back manner of Elmore Leonard, but his real gift is to get...

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DYING FOR DANA

Max Travis, the white-knight ADA of Portland, Oregon, is in big trouble this time, and it’s all his fault.

Max (The Shake, 2000) doesn’t think he’s in trouble, of course. Max thinks he’s in love. The twice-divorced workaholic, who’s just been dumped by his old professional rival, defense attorney Paige Prescott, has caught the eye of hairstylist Dana Waverleigh just as his friend Bill Roop was splitting up with her, and he’s fallen hard. After one night together he can hear bells ringing; after three dates they’re talking about marriage and children; after two weeks Max feels as if he’s known her forever. But he hasn’t, or he’d know that in addition to her three husbands, she’s been with a man who fathered one of her daughters and, more recently and disastrously, with Jack Nitzl, the underhanded used-car dealer who, inspired by her offhand remark about the home safe where Roop keeps the take from his bar, has staged a home invasion together with cranked-up body-shop owner Nicky Bortolotti—who, surprised to see Roop entertaining retired basketball player Highwire Harris and not that crazy about African-Americans anyway, has capped the evening by shooting the athlete. It gets worse. Jack, catching a glimpse of Dana as he flees the scene, threatens to give her up to the cops as a willing co-conspirator unless she feeds him information on every move Max is making. And Nicky, for whom personal loyalty is a lot less important than his next fix, is getting more and more impatient with anybody he thinks might be onto him.

Patton keeps the pot boiling briskly in the deceptively laid-back manner of Elmore Leonard, but his real gift is to get inside his driven characters—from sky-high Nicky to basically nice Dana to Max, dazed by a love too good to be true—and evoke the energy and frequent sweetness behind their improbable ardor.

Pub Date: Nov. 1, 2003

ISBN: 0-765-30649-2

Page Count: 336

Publisher: Forge

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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