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IL BASKET D'ITALIA

A SEASON IN ITALY WITH GREAT FOOD, GOOD FRIENDS, AND SOME VERY TALL AMERICANS

A sunny, refreshing season of pro basketball in the Lega Pallenestro Italiano. Depressed, recently divorced, disillusioned, and fed up with the arrogance and cynicism of American sports, Oregon sportswriter Patton jumped at the chance to spend 1992 in Italy. Based in Bologna, the 32-team Lega Pallenestro plays a 30-game schedule. The lega champion goes on to play in the European Cup tournament, but there is also a complicated system of international tournaments and playoffs. Each team is allowed two stranieri, or foreigners. Many of these are former NBA players such as Darryl ``Chocolate Thunder'' Dawkins and former Detroit Piston ``bad boy'' Rick Mahorn. Cut by the Il Messagero team (ostensibly for a locker-room tantrum, though some claim he'd become ``fat and lazy'') just a few days before Patton arrived, Mahorn was proof that NBA fringe players ``don't automatically become stars in Italy.'' (Mahorn, however, finished 1994 with the New Jersey Nets and his old coach, Chuck Daly.) While the author spends a lot of time with the Americans, he also profiles Italian stars such as il monumento nationale, 69'' Dino Meneghin, who, at 43, was playing his 27th season at pivot, center. ``Italy's greatest player,'' Meneghin led Varese to seven championships in his first ten years in the league and then won five more with the Milan team. There's also C'e solo un (the one and only) Roberto Brunamonti, slick point guard for Knorr Bologna, and his suave coach, Ettore Messina, who, when talking basket, will blithely refer to Saint Sebastian and his favorite Greek mythological heroes. Patton's descriptions of the often ineptly played games (``You see shots there's no name for'') and the boisterous, lewdly chanting crowds are a delight. Well flavored with wonderful passages on the foods, the people, the travel from village to city, and the joys and frustrations of daily life in a foreign land. (8 pages b&w photos, not seen)

Pub Date: Sept. 1, 1994

ISBN: 0-671-86849-7

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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