A heartwarming adventure tale about sailing, boyhood and 1850s America.
Ruddle’s debut novel centers on Luke Constance, a plucky young boy living in Marblehead, Massachusetts, in 1858. Luke, an extremely precocious and well-read 15-year-old kid, lost both of his parents years ago, so he lives with his grandparents Mike and Ellen. Mike owns and runs a business on a boat, the Mary Constance, and the book’s early chapters chronicle entertaining tales of Luke working and playing on it. There are also charming stories of Luke’s everyday life in Marblehead, including mischief involving teachers at his school and neighbors in town. The plot picks up after Luke falls asleep on the Mary Constance, waking just as two crooks hijack the boat and sail it out to sea. After he’s discovered, Luke must figure out how to keep himself and the crooks alive, as the hijackers’ sailing knowledge is limited and the New England waters and weather are anything but predictable. In this heartwarming tale about growing up in New England in the mid-19th century, Ruddle includes plenty of interesting information about the sea and the colorful people who work on it: “The fellows out on the fishing boats believe stuff that can make you roll your eyes. Like if you get a hook in your finger, you should stick the hook in something—a rail or mast, maybe—because that will heal your finger quicker.” It’s also packed full of historical information, which the author weaves seamlessly into the narrative; at one point, for example, Luke talks about national strife and the just-invented telegraph: “You could work that telegraph until the wires started to smoke, and it wouldn’t make folks love each other.”
An educational, engaging story about 19th-century New England that’s particularly suited for readers passionate about sailing.
Pub Date: April 25, 2014
ISBN: 978-1937484200
Page Count: 216
Publisher: Amika Press
Review Posted Online: Aug. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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