The author does a solid job analyzing the birth and development of Dracula and illustrating the character traits Stoker...
Steinmeyer (The Last Greatest Magician in the World, 2011, etc.) reveals the variety of influences on Stoker’s most (some would say only) memorable work of fiction.
The author posits that the four greatest influences on Stoker were Walt Whitman, Oscar Wilde, Jack the Ripper and the actor Henry Irving. Stoker was Irving’s general factotum and “acting manager” over a period of 30 years, and his influence would be obvious. Whitman was a childhood hero, and Jack the Ripper’s murders in London at that time piqued everyone’s interest. The city in the 1890s was rife with characters like Wilde, who affected the tastes of that golden age, and most crossed paths with Stoker. Just as 1920s Paris housed a vast menagerie of writers, actors and other artists, so Stoker’s life working for Irving at the Lyceum Theatre brought him into contact with all of the era’s adventurers and storytellers. They met after productions in the Lyceum’s Beefsteak room with their own tales of travel, discovery and absurdities; many of these tales found their way into Stoker’s story of the Transylvanian vampire. Oddly, Stoker was obsessive about making sure his facts were correct, right down to the landscape of Yorkshire, tides and London train schedules, but he never visited the Carpathians, where the novel takes place. Further, his notes never mentioned Vlad the Impaler, the historical figure most identify as the inspiration for Dracula. Steinmeyer takes us inside the genesis of the novel, “a swirl of nightmarish images that had been borrowed from real heroes, villains, heightened dramas, and theatrical tragedies."
The author does a solid job analyzing the birth and development of Dracula and illustrating the character traits Stoker cherry-picked from his wide circle of friends.Pub Date: April 4, 2013
ISBN: 978-0142421888
Page Count: 288
Publisher: TarcherPerigee
Review Posted Online: Jan. 20, 2013
Kirkus Reviews Issue: Feb. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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