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WHO WAS DRACULA?

BRAM STOKER'S TRAIL OF BLOOD

The author does a solid job analyzing the birth and development of Dracula and illustrating the character traits Stoker...

Steinmeyer (The Last Greatest Magician in the World, 2011, etc.) reveals the variety of influences on Stoker’s most (some would say only) memorable work of fiction.

The author posits that the four greatest influences on Stoker were Walt Whitman, Oscar Wilde, Jack the Ripper and the actor Henry Irving. Stoker was Irving’s general factotum and “acting manager” over a period of 30 years, and his influence would be obvious. Whitman was a childhood hero, and Jack the Ripper’s murders in London at that time piqued everyone’s interest. The city in the 1890s was rife with characters like Wilde, who affected the tastes of that golden age, and most crossed paths with Stoker. Just as 1920s Paris housed a vast menagerie of writers, actors and other artists, so Stoker’s life working for Irving at the Lyceum Theatre brought him into contact with all of the era’s adventurers and storytellers. They met after productions in the Lyceum’s Beefsteak room with their own tales of travel, discovery and absurdities; many of these tales found their way into Stoker’s story of the Transylvanian vampire. Oddly, Stoker was obsessive about making sure his facts were correct, right down to the landscape of Yorkshire, tides and London train schedules, but he never visited the Carpathians, where the novel takes place. Further, his notes never mentioned Vlad the Impaler, the historical figure most identify as the inspiration for Dracula. Steinmeyer takes us inside the genesis of the novel, “a swirl of nightmarish images that had been borrowed from real heroes, villains, heightened dramas, and theatrical tragedies."

The author does a solid job analyzing the birth and development of Dracula and illustrating the character traits Stoker cherry-picked from his wide circle of friends.

Pub Date: April 4, 2013

ISBN: 978-0142421888

Page Count: 288

Publisher: TarcherPerigee

Review Posted Online: Jan. 20, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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