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CTHULHU 2000

A LOVECRAFTIAN ANTHOLOGY

Eighteen fantastic stories, including parodies, inspired by horrormeister H.P. Lovecraft (18901937). Some are reprints from earlier Lovecraftian anthologies, but most come from original magazines, rare limited-edition chapbooks, and one from an ephemeral convention program guide. Editor Turner describes the Providence recluse, whose fame arose decades after his death, as a fantasist of cosmic wonder, a scientific materialist indifferent to the cosmos-at-large, and an atheist who nonetheless expressed fervent feelings of ``mystic adventurous expectancy.'' Turner has the great good wisdom to kick off his collection with F. Paul Wilson's wonderfully mellow ``The Barrens,'' about the Piney Lights and the Jersey Devil that haunt the huge New Jersey pine barrens and grant the reader a creepy backwoods entry beyond the veil. In Lawrence Watt-Evans's ``Pickman's Modem,'' an astral modem rewrites a bad speller's prose, goes off into tirades ``of stupendous fury and venom,'' and may well have fed Pickmanthe bad speller himselflive to the Internet. Kim Newman's ``The Big Fish'' mixes Raymond Chandler's The Big Sleep with Lovecraftian slime, a vicious mermaid, and the Deep Ones of the Cthulhu Mythos. In her inspired hallucinatory Early Neon style, Poppy Z. Brite's ``His Mouth Will Taste of Wormwood'' tells of two New Orleans decadents who've come into 50 outlawed bottles of absinthe and are at wits' end for some new perversion: They open their own personal museum or charnel house for holding the severed head of one of their mothers, stolen eyeballs, withered hands and heads, and a voodoo fetish that just happens to be a pettish vampire's lost canine tooth . . . which he wants back. Also outstanding: T.E.D. Klein's velvet ``Black Man with a Horn'' and Roger Zelazny's delicate ``24 Views of Mt. Fuji, by Hokusai.'' Not a dead page in this sinless sheaf. Does Arkham and Lovecraft proud—and may Arkham someday reprint its first book ever, Lovecraft's omnibus The Outsider.

Pub Date: Dec. 11, 1995

ISBN: 0-87054-169-2

Page Count: 429

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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