Decades after her teenage affair with a president-to-be, a woman dodges politicos and terrorists in Jones’ debut satire.
U.S. Sen. Marcus Maitland has 45-year-old research attorney Lily Gentille and former U.S. president Harrison G. Huntley III in his cross hairs after he gets hold of a partially redacted classified document that apparently exposes their secret affair. More than 25 years earlier, Lily was a high school senior on a Washington, D.C., trip with her class. In a hotel lobby, she found herself in the vicinity of two men discussing an illegal fundraising scheme. One of these men, Maj. Gen. Dudley Peyton, was sure that she heard something essential, so he showed up later at Lily’s house in Hamilton Springs (a suburb in the nearby, fictional state of Franklin), posing as a repairman. While he was there, Lily got her hands on one of his incriminating documents. Now, it seemed, everyone believed that she had important information. She became a “target teenager,” watched by some government operatives, approached by others—which ultimately led to her having a sexual relationship with then-60-year-old Secretary of Diplomatic Services Huntley. Soon, everyone is focusing on this dalliance, even after Huntley’s presidency ends. Lily, who calls herself “just a girl with crappy karma,” spends years enduring abductions and assaults and even embarks on another affair. Jones’ tale is jam-packed with plot and often feels like a sprint. But although it sets an impressive pace, it sometimes skimps on detail; Lily recalls random attacks by terrorists in sections that seem like mere snippets, for example. It’s clear that Lily is special, as she has the ability to fly (and land) a jet and also possesses fighting skills apparently derived from exercise videos; however, it’s never explained why she doesn’t understand the concern over her relationship with an ex-president. Jones’ satirical angle is sublimely understated, as when characters seem more concerned about Lily being a president’s lover than the fact that she’s an “accidental spy.” The protagonist is also humbly sentimental at times, seeing her love for the current man in her life as perhaps her greatest achievement.
A biting lampoon of espionage and politics that’s sometimes perplexing but always delightful.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Nov. 13, 2016
Review Program: Kirkus Indie
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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