Next book

TIME IS FOR DRAGONFLIES AND ANGELS

A speculative compilation that acknowledges humanity’s long struggle ahead.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Erickson’s (Afterlife Code, 2018, etc.) collection of sci-fi stories explores parallel worlds, rogue planets, alien intervention, and more.

Primarily set in the Boston, Cambridge, and Merrimack Valley areas of Massachusetts, these tales often follow a male protagonist who finds that humans don’t understand the laws of the universe as well as they think. In “Recount Our Dreams,” widower Jack Martin is a test subject for the Massachusetts Institute of Technology’s restricted environmental stimulation therapy project. When an electron accelerator experiment elsewhere on campus goes awry, Jack’s deprivation chamber shunts him into numerous alternate versions of Earth, including one in which meteor collisions depopulate the planet. “Rogue Event” depicts humankind’s decadeslong preparation for the passing of an enormous rogue planet through the Milky Way—an occurrence that will shatter fragile orbits and decrease the sun’s life span; at this point in Earth’s history, corporations fully control society—and displays of emotion are taboo. “The Gray” takes the furthest imaginative leap in its tale of Amber the Elder, “an intersex Cani hominid” who debates whether to eliminate a warring species on Terra Nova Seven, a planet that’s under observation. The stories “Neurogenesis” and “To See Behind Walls” showcase the author’s love of classic literature; the former is an homage to Daniel Keyes’ Flowers for Algernon (1966) and the latter to James Thurber’s 1939 story “The Secret Life of Walter Mitty.” Throughout this collection, Erickson connects his tales in surprising and delightful ways. Events in “Recount Our Dreams,” for example, seem to occur down the hall at MIT from where the developmentally challenged Robert Wright works in “Neurogenesis.” Some ideas beg for deeper exploration, such as the planet in “Rogue Event” that “is linked to our time and space, but its physical science and laws of nature are operating on another plane of existence.” Readers may also be divided on “The Gray,” in which genocide is made to seem like the least of several evils.

A speculative compilation that acknowledges humanity’s long struggle ahead.

Pub Date: Oct. 3, 2016

ISBN: 978-1-942708-25-4

Page Count: 240

Publisher: Time Tunnel Media

Review Posted Online: Sept. 27, 2018

Kirkus Reviews Issue: Dec. 1, 2018

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 41


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 41


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview