A tale of destined love that successfully weds the charms of fantasy worldbuilding and shaggy dog stories.
A couple of love-struck gamblers navigate mobsters and an unstable timeline in Fraser’s surreal debut fantasy romance.
In the opening chapters of this novel, card players Mike and Amy meet cute at a New Orleans poker table. And then they meet cute for the first time again. The reason: Mike keeps waking up in amnesiac hazes, and each time, he pieces together evidence that his personal chronology has been undone by supernatural forces. He repeatedly hustles to right his timeline, reunite with Amy, and maybe get to the World Series of Poker. Meanwhile, 20-something Amy, a compulsive gambler who “eloped with [her] mom’s chiropractor” at 16 and who’s now 11 months into a streak of bad luck, is embroiled in a scheme to launder counterfeit poker chips for the Russian mob. Mike and Amy’s world of seedy casinos and poker players is rendered with many persuasive details, such as Mike’s knowing assessment of other players, “the type who cut their teeth on the Internet in fast, multi-table action, playing six, ten, twelve tables at a time like chess masters.” As a result, the tension that Fraser builds in the betting scenes will be accessible even to poker neophytes. As Mike and Amy’s parallel plots unfold, they alternate first-person points of view; both are engaging, but there are times when the shared tics of their voices blend together (both use the term “the girlfriend experience,” for example). The author’s droll humor comes through in the lovers’ observations about their bad luck and in the mundane pettiness of the magical beings manipulating them. (One of those beings complains about the matchmaking spirits’ union: “The grievance-filing process takes forever. Even if we win, the inevitable appeal ties us into knots for ages.”) The combination of time travel and the couple’s playful game of changing their names every day somewhat muddles the narrative, and there’s a late-breaking political subplot that becomes extremely unwieldy. However, the affecting depiction of Amy’s struggle to right her life, along with the complex plot, give the novel depth and excitement.
A tale of destined love that successfully weds the charms of fantasy worldbuilding and shaggy dog stories.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Dec. 19, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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