Next book

THE OWL AND MOON CAFÉ

Profound it ain’t, but immensely readable and very charming in its own messy, undisciplined way.

Four generations of strong-minded women battle each other, their individual insecurities and life’s many ups and downs in this overstuffed latest from Mapson (Goodbye, Earl, 2004, etc.).

The author gives her characters plenty of obstacles to overcome before the mostly happy ending. When we meet Mariah Moon, inching along in traffic on California’s Highway One, she’s just lost her job as assistant sociology professor at a local college. How will she pay for that fancy school attended by her brilliant 12-year-old daughter Lindsay? Waitressing at the Owl & Moon, her family’s Pacific Grove restaurant, is the short-term solution, but it means dealing with her cranky, ultra-religious grandmother, Gammy, and her maddening mother, Allegra. Mariah is mortified by Allegra still dressing and acting like a hippie chick at nearly 50, and she’s never forgiven her mother for refusing to identify the man who begot her 34 years ago. (Mariah at least told Lindsay the name of her absent father, even if the girl’s never met him.) Not to worry: When Allegra has a fainting spell that sends her to the hospital, the doctor who hands her a diagnosis of leukemia is none other than Alvin Goodnough, the Vietnam vet en route to med school with whom she shared a sleeping bag back in the Summer of Love. Will they finally get together for keeps? Can Mariah get over her eternal adolescent snit with the help of a handsome Scottish customer at the café? Will Lindsay’s science project win her a scholarship, or land her in jail? Mapson’s plotting is as over-the-top as it was in the Bad Girl Creek trilogy—Phoebe DeThomas’s daughter Sally turns up from that series to befriend Lindsay—and the twists are often blindingly obvious, poorly motivated, or both. What saves the story is the characters: broadly drawn, but utterly human, full of querulous life and irritatingly believable. The author loves the people she creates and draws in readers to share her affection.

Profound it ain’t, but immensely readable and very charming in its own messy, undisciplined way.

Pub Date: July 4, 2006

ISBN: 0-7432-6641-2

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview