Immediate, poignant and rarely predictable, this searchingly observant work captures a huge terrain of personal aspiration...
The architecture of a family, constructed over decades, through relationships, wars and secrets, is assembled with fine detail and insight in an exceptional 20th-century saga.
Long, intricate but never dull, English novelist Baker’s U.S. debut is a four-generational span of extraordinary history and ordinary lives, eloquent about the unshared interior worlds of individuals even when connected by the closest of bonds. Starting in London in 1914, it introduces young sweethearts William and Amelia Hastings, married just as World War I begins. Amelia, pregnant with Billy, will always stay faithful to William’s memory, tending the album of postcards he sent her, and when shipmate George Sully—a malevolent, recurrent, family-curse character—threatens, Amelia and Billy see him off together. Billy has a talent for cycling, but his prospects, as his own son’s will be, are clouded by issues of money and class, and then World War II intervenes. Billy survives to marry Ruby, a stylish Jew who also encounters George Sully but never tells her husband. The couple’s first child is Will, partly disabled by Perthes disease, whom Billy struggles to love. Clever Will achieves academic success at Oxford but marries unhappily. It’s with his artistic daughter Billie that the book reaches its understated yet moving conclusion.
Immediate, poignant and rarely predictable, this searchingly observant work captures a huge terrain of personal aspiration against a shifting historical and social background. Impressive.Pub Date: May 15, 2012
ISBN: 978-0-307-95709-2
Page Count: 352
Publisher: Knopf
Review Posted Online: April 4, 2012
Kirkus Reviews Issue: April 15, 2012
A big old banana split of a book, surely the cure for what ails you.
Someone told Vivian Morris in her youth that she would never be an interesting person. Good thing they didn't put money on it.
The delightful narrator of Gilbert's (Big Magic, 2015, etc.) fourth novel begins the story of her life in the summer of 1940. At 19, she has just been sent home from Vassar. "I cannot fully recall what I'd been doing with my time during those many hours that I ought to have spent in class, but—knowing me—I suppose I was terribly preoccupied with my appearance." Vivian is very pretty, and she is a talented seamstress, but other than that, she is a silly, naïve girl who doesn't know anything about anything. That phase of her life comes to a swift end when her parents send her to Manhattan to live with her Aunt Peg. Peg is the proprietor of the Lily Playhouse, a grandiose, crumbing theater in midtown that caters to the tastes and wallets of the locals with week after week of original "revues" that inevitably feature a sweet young couple, a villain, a floozy, a drunken hobo, and a horde of showgirls and dancers kicking up a storm. "There were limits to the scope of the stories that we could tell," Vivian explains, “given that the Lily Playhouse only had three backdrops”: 19th-century street corner, elegant parlor, and ocean liner. Vivian makes a close friend in Celia Ray, a showgirl so smolderingly beautiful she nearly scorches the pages on which she appears. "I wanted Celia to teach me everything," says Vivian, "about men, about sex, about New York, about life"—and she gets her wish, and then some. The story is jammed with terrific characters, gorgeous clothing, great one-liners, convincing wartime atmosphere, and excellent descriptions of sex, one of which can only be described (in Vivian's signature italics) as transcendent. There are still many readers who know Gilbert only as a memoirist. Whatever Eat Pray Love did or did not do for you, please don't miss out on her wonderful novels any longer.
A big old banana split of a book, surely the cure for what ails you.Pub Date: June 4, 2019
ISBN: 978-1-59463-473-4
Page Count: 480
Publisher: Riverhead
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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PROFILES
A gentle exploration of tragedy, hope, the power of Christmas, and the possibility of miracles.
Preparing for Christmas in Cambridge, Massachusetts, church members face challenges aided by faith and friends and inspired by the eponymous poem by Henry Wadsworth Longfellow—who, in an alternate storyline, fights despair as he confronts personal tragedy and the Civil War.
Christmas is fast approaching, and St. Margaret’s Catholic Church is a hub of activity. The children’s choir, under Sophia’s talented guidance, is practicing its program, which includes “I Heard the Bells on Christmas Day,” the lovely carol based on the poem by Cambridge’s own Longfellow. Sophia is determined to remain optimistic this season, despite her recently broken engagement and the threat of losing her job next spring. After all, these children lift her spirits, and she can always depend on Lucas, the saintly accompanist, to be there for her. Particularly talented are the red-haired siblings, serious Charlotte and precocious Alex, whose father is serving with the National Guard in Afghanistan and whose mother is overwhelmed by the crushing news that her beloved husband is missing, a fact she's trying to keep secret. Father Ryan loves his calling and his congregants and is doing his best to aid them in their trials even as he navigates his own fractured family. The odd but cheerful, elderly Sister Winifred offers help and reassurance with eerily perfect timing and perception. Meanwhile, in a separate historical storyline that is lightly attached to the contemporary one, we follow Longfellow through the Civil War and the life-altering events that tested his faith and nearly crushed his spirit. Chiaverini stitches together a series of lightly interlocking contemporary vignettes in an intriguing way and manages to tuck away all the ragged edges in the emotionally satisfying conclusion. In the background are Longfellow’s tragic Civil War–era experiences, which, while poignant, feel emotionally distant.
A gentle exploration of tragedy, hope, the power of Christmas, and the possibility of miracles.Pub Date: Oct. 27, 2015
ISBN: 978-0-525-95524-5
Page Count: 336
Publisher: Dutton
Review Posted Online: July 29, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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