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CALL ME ADAM

A consuming work of great unpredictability and power.

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A suicidal man living through a global health crisis realizes he’s immortal in McCarty’s novel.

Louie lives in a tiny town in Northern Michigan and is considered by all, including himself, a lifelong loser. An out-of-work mechanic, he decides to kill himself, but he fails repeatedly; for reasons he cannot understand, he is immortal, a peculiar condition for a man who longs to end his own life. Even stranger is the fact that everyone else is dying—the world is engulfed by a flulike virus, a “biotic crisis” that’s mercilessly killing nearly every human in a mass extinction event, a horrifying catastrophe chillingly portrayed by the author. Eventually, Louie is the last surviving resident of his town, and he calls a newspaper to report it; this is how he meets Katherine, the woman who answers the phone and thereafter becomes the object of his dreams. She dreams of him, too, and she drives from New Jersey to Michigan to find him. Louie shares his bizarre secret with her and comes to believe she’s like him, incapable of death, and that they are meant to “rebuild the world as Adam and Eve.” This crumbling world is a dangerous place, however, and they’re threatened by another man with a different plan, a man who may also be immortal. This is not a formulaic apocalyptic novel—in fact, it’s surprisingly inventive and delightfully weird. Both Louie and Katherine are depicted in nuanced, even tender terms, two sad people who have both struggled with suicidal intentions. The story’s conclusion is a touch sentimental—the author can’t help but draw a banal therapeutic lesson from the tale—but that doesn’t ruin an otherwise refreshingly original novel that enchants even as it terrifies.

A consuming work of great unpredictability and power.

Pub Date: April 1, 2024

ISBN: 9781941175026

Page Count: 248

Publisher: Crazy Pages

Review Posted Online: March 26, 2024

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PROPHET SONG

Captivating, frightening, and a singular achievement.

As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.

For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).

Captivating, frightening, and a singular achievement.

Pub Date: Dec. 5, 2023

ISBN: 9780802163011

Page Count: 320

Publisher: Atlantic Monthly

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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MASTERS OF DEATH

A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.

The latest in a series of rereleases from a prolific fantasist’s previously self-published works is a contemporary spin on the fairytale “Godfather Death.”

Viola Marek is an aswang, a shapeshifting vampire from Filipino folklore. She’s also a Chicago real estate agent trying to sell a mansion even while the ghost of its last owner, Thomas Edward Parker IV, is doing his supernatural best to block the sale.  In a desperate attempt to earn her commission, she hires Fox D’Mora, Death’s mortal godson, to use his connection to get the ghost to leave. Unfortunately, Death is unavailable: He’s been kidnapped, and to get him back and prevent a worlds-spanning catastrophe, Fox, Vi, the ghost, and assorted other supernatural creatures will have to enter a high-stakes gambling game that usually only immortals can play…but rarely win. The story begins with an unusual blend of myth, fairy tale, and cosmology and inevitably descends to an almost unbearable level of sentimentality, which is simultaneously a refreshing change from Blake’s usual tableau of self-involved, selfish characters who seem driven toward tragedies of their own making. Blake could definitely do a better job at showing the love between characters rather than merely telling the reader that they’re in love. She also has an unfortunate tendency to skip potentially intriguing bits of backstory if they don’t immediately drive the plot along, which is why readers never learn anything about Fox’s childhood and what it was actually like having Death as a parent. Nor does she explain why only two of the four archangels, Gabriel and Raphael, play outsize roles in determining the order of the cosmos, while Uriel and Michael are nowhere to be seen. Bits of anachronism—like the use of a rubber band as aversion therapy 200 years ago or the presence of a magical wristwatch from a time long before watches were common—might be intended to be Pratchett-style humor or chalked up to magic? It’s hard to tell what’s intentional and what is simply careless. Now that Blake has a traditional publisher, perhaps the editors of her future novels will guide the author to address these issues when they arise.

A reasonably charming urban fantasy that could have used a more rigorous edit before primetime.

Pub Date: Aug. 8, 2023

ISBN: 9781250892461

Page Count: 416

Publisher: Tor

Review Posted Online: Aug. 19, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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