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ON HER OWN TERMS

SANDRA DAY O’CONNOR AND HER RISE TO POWER ON THE SUPREME COURT

Fitting farewell to an influential jurist who may soon be very much missed.

“She was not raised to sit still,” remarked a weary clerk of Sandra Day O’Connor. Indeed not, as this lively life of the just-retired Associate Justice relates.

Supreme Court chronicler Biskupic writes, mostly admiringly but not unreservedly, of O’Connor, a tough but polite woman who grew up on an Arizona ranch headed by a never-pleased patriarch who, by most accounts, put the fear into everyone he met. Sandy Day was brilliant, a surprise to her classmates at Stanford Law School (including William Rehnquist, whom she briefly dated) and to hapless chauvinists in the Phoenix suburbs, to which she and her husband repaired in 1957. O’Connor served as a state legislator—a fellow senator, meaning to be complimentary, said of her, “this pretty little thing carries a disconcerting load of expertise”—and appeals-court judge before being shortlisted by Attorney General William French Smith to replace retiring Supreme Court Justice Potter Stewart in 1981. Though President Reagan had pledged to name a woman to the court, Biskupic writes, “O’Connor’s credentials did not make her an obvious candidate.” On closer examination, administration vetters found that she was politically well-connected and suitably conservative, though big-C rightists had fits when they discovered that O’Connor was generally pro-choice. No matter: she easily passed the audition, only to take a mostly independent course on the bench that put her at odds with doctrinaire types on the left and right alike. Biskupic does a solid job of charting O’Connor’s evolution as a judge who, given her druthers, preferred to seek consensus and split the difference in a given dispute over the slash-and-burn approach of certain other jurists, notably bête noire Antonin Scalia. O’Connor shaped the law, Biskupic concludes, “with her Western pragmatism, her feel for the American center—and a shrewd but quiet negotiating skill.”

Fitting farewell to an influential jurist who may soon be very much missed.

Pub Date: Nov. 1, 2005

ISBN: 0-06-059018-1

Page Count: 400

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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