THE GEOMETRY OF LOVE

Cuccio makes a laudable effort on her first outing to embrace armfuls of life and get them onto the page, but her indisputable moments of brilliance are often dimmed by overwriting and conventional dramatics. Darcy Johnston, a Texas farm girl and dropout, believes that ``Love is born crooked, it is . . . not planar at all but something quite out of phase with the solemn procession of everyday life.'' So it is that the story Darcy tells is nothing like a straight line. On the third page, she alludes mysteriously to the cruel yet much-loved ``you'' whom she's finally broken up with—and also forbodingly to ``the pistol''— then embarks on an often rather pleasant journey back and forth from adulthood to early childhood, early childhood to mid-adolescence, mid-adolescence to—and so on. Gradually we learn that her father has died (though only much later how and of what), and gradually that her dourly cruel mother, after her husband's death, opened the family's old farmhouse to boarders (and herself to them, too, becoming ostracized in the disapproving community). One of these boarders is the fierce and rattlesnake-mean ``you'' whom Darcy becomes entangled with, marries, and suffers under for so long that all you want to do is grab her shoulders and shake some sense into her. But it'll be a long slow time before she makes a move, with much that's admittedly beautiful along the way (``The world is quiet but for the sound of the tractor in the field. The breeze comes in from the window cool and blue''), but also much that's over-similed or maundering (``Let's see how far we can take this. Could we, for instance . . .'') in the approach to an ending that, well, ought to have been avoidable altogether but that will without question raise you from your seat. Debut work that's often muddled but that at its best can be superb.

Pub Date: April 1, 1997

ISBN: 1-877946-82-6

Page Count: 172

Publisher: Permanent Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

LOVE AND OTHER WORDS

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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