A frothy, occasionally scattered series starter to introduce the wide, entertaining mythological world.
Norse mythology is rewoven into a boarding school story starring the Vanir “girlgoddess of love and beauty,” Freya.
Freya’s unhappy about transferring away from her school and friends in Vanaheim to Odin’s new Asgard Academy, to which he’s summoning chosen students from all nine worlds on Yggdrasil. Freya’s special magic involves prophecies given by Brising, her jewel—which she drops and loses during the arrival chaos. She’s also uncomfortable because Vanaheim and Asgard were recently at war, a war supposedly caused by her missing nanny, Gullveig, and which has left Asgard’s wall destroyed. There is a lot going on. Prankster Loki exploits Mason, a fellow student who has a crush on Freya, by peer-pressuring Freya into a bet: If scrawny Mason rebuilds the wall in three days without help, Freya will give Mason her heart, the sun, and the moon. But Mason has some tricks up his sleeves. When not in class or sneaking off to recover Brising from dwarves, Freya’s overcoming suspicions and making friends with kids from other worlds, especially her Aesir roommates, and she learns that her true gift is friendship. (In one puntastic storyline the girls brainstorm a name for their group before landing on the series title, Thunder Girls.) Peacemaking is important, both between Gullveig and Odin and between Freya and Mason. The book assumes a white default.
A frothy, occasionally scattered series starter to introduce the wide, entertaining mythological world. (authors’ note, further reading) (Fantasy. 8-12)Pub Date: May 1, 2018
ISBN: 978-1-4814-9640-7
Page Count: 256
Publisher: Aladdin
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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Highly amusing.
The incompetent parents from The Willoughbys (2008) find themselves thawed by global warming.
Henry and Frances haven’t aged since the accident that buried them in snow and froze them for 30 years in the Swiss Alps. Their Rip van Winkle–ish return is archly comedic, with the pair, a medical miracle, realizing (at last!) how much they’ve lost and how baffled they are now. Meanwhile, their eldest son, Tim, is grown and in charge of his adoptive father’s candy empire, now threatened with destitution by a congressional ban on candy (opposed by an unnamed Bernie Sanders). He is father to 11-year-old Richie, who employs ad-speak whenever he talks about his newest toys, like a remote-controlled car (“The iconic Lamborghini bull adorns the hubcaps and hood”). But Richie envies Winston Poore, the very poor boy next door, who has a toy car carved for him by his itinerant encyclopedia-salesman father. Winston and his sister, Winifred, plan to earn money for essentials by offering their services as companions to lonely Richie while their mother dabbles, spectacularly unsuccessfully, in running a B&B. Lowry’s exaggerated characters and breezy, unlikely plot are highly entertaining. She offers humorous commentary both via footnotes advising readers of odd facts related to the narrative and via Henry and Frances’ reentry challenges. The threads of the story, with various tales of parents gone missing, fortunes lost or never found, and good luck in the end, are gathered most satisfactorily and warmheartedly.
Highly amusing. (Fiction. 8-12)Pub Date: Sept. 29, 2020
ISBN: 978-0-358-42389-8
Page Count: 176
Publisher: HMH Books
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
Elegiac and hopeful.
In the wake of his brother’s death, a black boy struggles with grief and coming out.
When Kingston’s white friend Sandy came out to him a few months ago, Kingston’s older brother, Khalid, told him to stay away from Sandy because King wouldn’t want people to think he was gay too. And then Khalid died. Their mom wants him to see someone, but King refuses because he knows he has nothing to say except that he is sad. Although his dad says boys don’t cry, King can’t stop the tears from coming every time he thinks of Khalid. But King knows that his brother is not really gone: Khalid “shed his skin like a snake” and is now a dragonfly. Complicating King’s grief over the sudden loss of his brother is the fear that Khalid would not still love him if he knew the truth—King is gay. Every day after school King walks to the bayou searching for Khalid, wondering if he can ever share who he is. When Sandy goes missing, King must come to terms with the true cost of shame. The tale is set in Louisiana, and Callender’s vivid descriptions of the rural area King calls home are magical; readers will feel the heat and the sweat, see the trees and the moss. This quiet novel movingly addresses toxic masculinity, homophobia in the black community—especially related to men—fear, and memory.
Elegiac and hopeful. (Fiction. 8-12)Pub Date: Feb. 4, 2020
ISBN: 978-1-338-12933-5
Page Count: 272
Publisher: Scholastic
Review Posted Online: Nov. 4, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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