An overlong but relentlessly candid and often absorbing account of a complex life spent in and out of the fashion spotlight.
The essayist, critic, novelist, and former editor-in-chief of Paris Vogue reflects on the triumphs and excesses of her fashionable past.
As the only child of celebrated parents, Buck (Daughter of the Swan, 1987, etc.) enjoyed a privileged upbringing among many of the 20th century’s more notable celebrities. Her father, Jules Buck, was a Hollywood producer perhaps best known for helping to launch Peter O’Toole’s early film career. In sometimes-meandering detail, the author relives her restless years as she established an esteemed reputation as a writer and authority on fashion and culture. There’s some excessive name-dropping as Buck references numerous Hollywood and fashion elites in quick succession, yet rarely does she pause for many of these individuals—e.g., Donald Sutherland and Brian De Palma—to spring to life on these pages. Throughout the book, the author explores her complicated and evolving relationship with her parents. Her father, in particular, asserted a domineering influence even as his increasingly erratic behavior in later years weighed on her existence as a burden—but also a reliable touchstone. Buck’s narrative gathers focus and momentum when she lands the Vogue position in her late 40s. Within these chapters, she provides acute, illuminating observations on the challenges of running a fashion magazine and of the pretensions of the industry. Her description of Susan Train, Vogue’s Paris bureau chief, provides an uncompromising glimpse into this world: “She fielded the daily telexes from New York demanding a dress, a photographer, a model, a star, a location, a car, a different car, a different dress, a chateau instead of a house, not that chateau, the other chateau, visas for Yemen, customs declarations, tissue paper, dangerous wildlife, rare flowers, rarer flowers, bushes, buds, trees, photogenic children of impeccable pedigree. She flawlessly navigated the chasms of rage that roiled in the heart of every fashion player. Even the messengers were touchy.”
An overlong but relentlessly candid and often absorbing account of a complex life spent in and out of the fashion spotlight.Pub Date: March 7, 2017
ISBN: 978-1-4767-6294-4
Page Count: 416
Publisher: Atria
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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