A fast-paced story with a surprisingly modern feel from an expert writer of historical romance.
A Gilded Age marriage of convenience that inconveniences everyone involved.
Lady Christina Barclay is desperate to escape her family, Brits temporarily in New York in search of a rich husband for her. But she’s not so desperate that she’ll accept the elderly letch Mr. Van Peet as her husband, no matter how her parents beg her to do so. She tries to find solace with Oliver Hawkes, her neighbor, but the reclusive inventor prefers to keep to himself. After losing his hearing as a teen, he’s found that despite his extraordinary wealth, most of the Four Hundred prefer to treat him as “one of those imbeciles.” However, after learning more about Christina's situation, Oliver agrees to help her out by getting married that very night, telling her it will be a yearlong, nonsexual marriage after which he will give her a financial settlement, they will annul the marriage and go back to being friends; despite his attraction to her, he's reluctant to change his ways and doesn't believe that she really wants to marry him, either. For her part, Christina is attracted to Oliver, especially as she learns more about how to communicate with him and they begin to share the details of their pasts with one another. But as their mutual focus narrows to each other, they don’t notice how many people around them seek to pull them apart—by any means necessary. The suspense in this story doesn’t come just from the sexual tension between its hero and heroine—it also comes from their shared fear that people will use Oliver’s deafness to ruin their developing bond. Shupe’s Four Hundred series has been marked by its appealing combination of suspense and spice, and the third entry is no exception, standing out thanks to Shupe’s thoughtful portrayal of deafness and a culture that does not understand or respect it. As always, precise Gilded Age details invigorate Shupe’s writing, but it is the chemistry between Oliver and Christina that truly brings the story to life.
A fast-paced story with a surprisingly modern feel from an expert writer of historical romance.Pub Date: Sept. 25, 2018
ISBN: 978-0-06-267894-2
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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