Rightly or wrongly, Harris (Chocolat, 1999; Five Quarters of the Orange, 2001, etc.) delivers the goods for readers who...
In an ever-so-cozy tale, a woman returns to the small French island of her ancestry to reconnect with her roots and act generally plucky.
Amid descriptions of delicious scenery, quaint customs, and mouthwatering delicacies, the story is told of Madeline (“Mado” to anyone who cares) coming back from Paris to the windswept French island of Le Devin, where her father still lives after her mother’s death. There are two towns: the northern one, Les Salants, is poor, hardscrabble, and full of character, while the southern, La Houssiniere, is rich, arrogant, and touristy. Any guesses where Mado hails from? The ocean is indeed a harsh mistress, and Mado notices right away, after failing to make much headway in reconnecting with her taciturn, mule-headed father, that Les Salants’ formerly gorgeous beach has been mostly washed out to sea. Mado senses a project just crying out for her to organize, and so, in the grand tradition of fictional small towns everywhere, the people of Les Salants leave their grumpiness behind and band together to build a reef that will shelter the beach and, they hope, encourage some of the tourist business away from La Houssiniere. Unfortunately, though, the proprietor of La Houssiniere’s hotel, Les Immorteles, a foxy businessman by the name of Claude Brismand, won’t take the challenge lying down. As the battle rages, Mado has her father, a snooty sister, and a potential romance with an Englishman to keep her occupied as well, so there’s no telling whether the forces of good will be able to hold off the onslaught of the southern villains. It’s all as underwhelming as it sounds, chockablock with stereotypically earthy villagers and picturesque, Travel Channel–like prose.
Rightly or wrongly, Harris (Chocolat, 1999; Five Quarters of the Orange, 2001, etc.) delivers the goods for readers who can’t get enough of this sort of thing.Pub Date: Sept. 16, 2002
ISBN: 0-06-019812-5
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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