An inspiring sports account about doing your best while improving the game.
Two twins recount their glass ceiling–shattering careers in women’s hockey in this debut memoir.
Lamoureux-Davidson and Lamoureux-Morando started playing competitive hockey when they were 5 years old. They were something of a novelty: twin sisters competing with the boys because there were no girls teams, even in their hockey-obsessed hometown of Grand Forks, North Dakota. In the third grade, Lamoureux-Davidson turned in a school assignment that listed this among her dreams: “When I am seventeen years old, I want to be on the American or Canadian Olympic hockey team with my sister Monique.” The girls would indeed go on to play for the American Olympic team, winning silver medals in 2010 and 2014 and bringing home the gold in 2018. For all these accomplishments, it is their work off the ice that they chose to highlight in this memoir: not only their efforts to succeed in a male-dominated sport, but also to change hockey so that the girls who came after them would have an easier time than they did. The twins’ activism culminated in a battle with USA Hockey over equal rights for female athletes—a clash that almost led to a boycott of the 2017 World Championships. In between, their account covers the unlikely rise of not just one, but two world-class athletes and the colorful family that surrounded them. The authors split the storytelling duties, alternating between sections narrated from Lamoureux-Davidson’s or Lamoureux-Morando’s perspectives. The prose is a bit stilted, but the content is often thoughtful. Here Lamoureux-Davidson remembers a meeting with USA Hockey: “One of the USA Hockey representatives talked about a USAH staff member’s daughter and said because of her influence, he was passionate about ‘the other side,’ referring to us and women’s hockey. I interrupted him. ‘That is the problem right there,’ I said. ‘There are no sides.’ ” The book works as a traditional achievement memoir, but the advocacy of the authors—based in practical issues like a living wage and maternity leave—makes this a more pointedly feminist narrative than is normal for the genre. It is also the story of a remarkable friendship in which two sisters challenged and motivated each other to reach the top of their field.
An inspiring sports account about doing your best while improving the game.Pub Date: Feb. 23, 2021
ISBN: 978-1-63576-727-8
Page Count: 248
Publisher: Radius Book Group
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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