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THE OBAMAS

If only the “wrath of Michelle,” as it’s known, is the worst thing the staffers have to face. It’s not, though, and Kantor’s...

A gossipy but mostly meaty look inside the Obama White House, a place less unified than one might expect—or hope.

New York Times Washington correspondent Kantor graduated to that position from the Arts & Leisure section, and it shows in her fascination with First Lady Michelle Obama’s fashion sense, about which we read a great deal, good and bad—good that Mrs. Obama has a fashion sense, bad in the sense that expensive clothing in a time of economic hardship gives the president’s enemies more fodder for complaining. Thus, after the midterms, “she still wore plenty of expensive labels, including designer gowns to formal evening events, but during the day there were more dresses from chain stores.” No one could complain about a $34.95 dress, after all—though of course they could, since a vigorous anti-Obama contingent in Washington is doing all it can to keep the president from fulfilling his ambitions and finds fault in everything he does. Here Sen. Mitch McConnell becomes a notable heavy of the piece. The best parts of Kantor’s book depict a White House beleaguered and harassed, a leader frustrated at being kept from pursuing what he had hoped would be a “post-partisan” style of governance. The book has already made news for its depiction of Mrs. Obama as a tough manager with a reputation for frostiness and impatience: “My staff worries a lot more about what the first lady thinks than they worry about what I think,” she reports President Obama as saying by way of a lead-in to some memorable conflicts with the likes of Robert Gibbs and Rahm Emanuel. Yet, given both Michelle Obama’s misgivings about the toll of political life on her family and the siege-fortress mood of the White House, her protective and decisive demeanor seems entirely understandable, especially given the president’s complementary “elusive, introverted” manner.

If only the “wrath of Michelle,” as it’s known, is the worst thing the staffers have to face. It’s not, though, and Kantor’s fly-on-the-wall view makes illuminating reading for an election year.

Pub Date: Jan. 10, 2012

ISBN: 978-0-316-09875-5

Page Count: 352

Publisher: Little, Brown

Review Posted Online: Jan. 19, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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