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WHITE CHRISTMAS

THE STORY OF AN AMERICAN SONG

Not just for the holidays, but for all who treasure American popular music: a perfect gift.

Informative and thoughtful account of a song that became a wartime anthem, pioneered the evolution of holiday music, and “paved the way for the new music” sold on records rather than as sheet music.

The story of the song is central here, but along with those pertinent details, freelance journalist Rosen describes the changes in music since the 1940s and examines the role of Jews in the promotion of Christmas culture, a role that was “more profound than entrepreneurial savvy.” He suggests that Ira Berlin, a refugee from pogroms who with sheer chutzpah wrote “a Christmas anthem that buried all traces of the holiday’s Christian origins beneath three feet of driven snow” illustrates greater subtleties at work. Born in 1888 in Siberia, Berlin came to the US with his family at age five and grew up in the tenements of Manhattan's Lower East Side. He dropped out of school and by 19 was working in the lower levels of Tin Pan Alley. His first song was published in 1907, but his career was launched in 1911 with “Alexander’s Ragtime Band,” which sold two million copies. Rosen records all the great Berlin hits and shows preceding “White Christmas” and its venue, the 1942 movie Holiday Inn, starring Bing Crosby. Its sales have topped 125 million copies, but Berlin originally intended it only as a revue song—a wry novelty tune set in Los Angeles, sung by sophisticated expat New Yorkers pining for a snowbound Christmas. Rosen describes how Crosby treated the song as a Christmas carol but also gave it an “erotic charge,” adding to its popularity. The radios and jukeboxes carrying Crosby’s recording to American troops made it a bestseller. Berlin, Rosen notes, always understood how powerful its yuletide associations were.

Not just for the holidays, but for all who treasure American popular music: a perfect gift.

Pub Date: Nov. 1, 2002

ISBN: 0-7432-1875-2

Page Count: 160

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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