Further reading for fans of Timmy Failure and Big Nate.
Sam Lyttle has a little problem with the truth: even when he’s telling it, it isn’t totally true.
Nine-year-old Sam has a reputation for being a bit of a stranger to the truth. When things go wrong around the Lyttle house, the family knows whom to ask…and they also know they won’t get a straight answer. When Sam rescues a frightened pussycat from the school bully, Sam gets his mother to allow it to stay by saying the cat (eventually named Pudding) will keep him honest (as if). Strange things do transpire: a treasured dog figurine breaks; a dirty ping pong ball finds its way into the peanut butter; a sack of potatoes from Grandpa’s garden goes missing. Grandpa helps Sam deal with the school bully in exchange for a promise from Sam that he tell the truth about the occurrences around the Lyttle house. While the story Sam tells is plausible…it’s not the actual truth. This British import launches a new series focusing on young prevaricator Sam, heavily illustrated in the now-familiar graphic/prose style. The truth behind Sam’s complex lies is as much fun as the philosophical calisthenics he does to justify his falsehoods. Berger’s black-and-white comics and illustrations advance the silly plot nicely; they depict Sam, his family, and his best friend as white, though some of his classmates seem to be children of color.
Further reading for fans of Timmy Failure and Big Nate. (Graphic/fiction hybrid. 7-11)Pub Date: May 9, 2017
ISBN: 978-1-4814-7083-4
Page Count: 240
Publisher: McElderry
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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