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THE DOLPHIN CODE

A sluggish but insightful tale with laudable characters—both aquatic and terrestrial.

An autistic boy has the special ability to communicate with dolphins—who want to use him to relay an important message to humans—in Boudreault’s sci-fi debut.

Four-year-old Corey surprises his parents, Ryan and Kelly Sheppard, when he seems to summon dolphins to their boat. A female dolphin, Sica Three, manages to send a telepathic message to Corey: “We are dying. They are killing us.” The Sheppards, who live in a Newfoundland port town, know their son is unique. He sometimes falls into a “trance,” when he suddenly freezes. At 8, Corey has a particularly bad episode after seeing images of a dolphin in peril and witnessing its death shortly thereafter. A doctor subsequently diagnoses him with autism, a disorder unfamiliar to his parents. Tragedy follows when Ryan and Kelly are lost at sea. Corey’s uncle Max Wheeler and paternal grandfather, Josiah, take the boy in. When it’s apparent that Corey can translate dolphins’ sounds, Max contacts the Woods Hole Oceanographic Institution in Massachusetts. At WHOI, Corey uses his unique connection to dolphins, which includes interpreting the dolphins’ vocalizations as images, to decipher what the mammals are trying to convey. But even telepathic conversations are cryptic. They want “the key,” something humans already have that can help the dolphins. Meanwhile, orca Valkot, leader of a pod of his own kind, disagrees with his dolphin cousins’ peaceful exchanges with humans. He’s partial to attacking humans instead and intent on initiating an aquatic civil war. Boudreault’s novel has a conspicuous but topical environmental theme. Sica Three, for example, references humans’ “poisons” in a conversation with Corey, while Valkot is more specifically enraged by cetacean deaths from oil spills or ships’ propellers. While readers are aware of Valkot’s objective, what the dolphins want—namely, the key —is a mystery until the end. The orcas, despite their sympathetic plight, are notable villains of the sea, as their assaults against boats are devastating and sometimes lethal. There is, however, much less narrative conflict on land. The CIA is a potential threat in the United States, as it may nose into WHOI’s research, but that’s a subplot that never quite gets off the ground. The author treats Corey’s autism intelligently. His parents, for one, persistently work to understand his condition, even prior to its official diagnosis.  And though Corey requires his family’s special attention, he likewise displays certain traits of autism that come across as winsome. This includes his literalism, which leads Corey to believe Woods Hole is an actual hole in the forest. The story moves at an unhurried but consistent clip (the passing years see Corey reach his teens). But the lengthy segment at WHOI slows the story even further and involves copious scientific discussions. Nevertheless, Corey has an appealing relationship with the WHOI director’s autistic daughter, Megan McGuin, with whom he telepathically converses.

A sluggish but insightful tale with laudable characters—both aquatic and terrestrial.

Pub Date: Jan. 23, 2018

ISBN: 978-1-947966-00-0

Page Count: 298

Publisher: WiDo Publishing

Review Posted Online: April 17, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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