An enthralling blend of mystery and SF with a striking hero.
In this 1950s-set, SF–infused novel, a physicist discovers a personal connection to the otherworldly object he’s investigating.
The CIA doesn’t know what to make of the old wreckage of a domed container, possibly a cargo pod. Someone unearthed it near the Nevada Test Site, making communist-hating America fear the Russians have been up to no good. Answers may lie with a metal disk found inside the container and with four sets of coordinates marking areas surrounding the wreckage. Dr. Frank Sartori of the Atomic Energy Commission scours Western desert landscapes for each location. What he discovers sparks wild theories, such as the pod is extraterrestrial and carried a now-missing passenger. But it’s the strange symbols on the disk that the physicist finds truly spellbinding. They’re identical to the ones on the aluminum attaché case of his uncle, the man who raised him and cryptically asserted that they both were “not of this world.” Working with Bob “Bobcat” Babcock, a member of the Army Corps of Engineers, Sartori aims to unravel the mysteries of the pod, which is seemingly capable of creating energy from magnetic fields, and deciphering his bizarre link to it. Costanzo’s story deftly drops assorted puzzles at Sartori’s feet. Along with his AEC investigation, he must deal with his dreams, which teem with inexplicable images (for example, an unknown man at a bus stop), and his uncle’s abrupt disappearance. The tale is generally easygoing, as the protagonist doesn’t face sinister forces. But he does struggle to trust people, even immensely likable Bobcat and a local newspaper reporter named Kate Wilson who doubles as a potential romantic interest. The author couples a measured pace with vibrant prose, such as nuclear tests producing “a glowing orange sphere inside of an iridescent, billowing gray cloud.” Costanzo also aptly infuses real life into the narrative, from people constantly worrying about atomic bombs and radiation to characters mentioning famous baseball teams and players and TV series. The superb ending resolves some of the questions that readers will be asking.
An enthralling blend of mystery and SF with a striking hero.Pub Date: Feb. 22, 2022
ISBN: 978-0-578-33953-5
Page Count: 250
Publisher: Self
Review Posted Online: Feb. 22, 2022
Review Program: Kirkus Indie
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
A quick, biting critique of the publishing industry.
What happens when a midlist author steals a manuscript and publishes it as her own?
June Hayward and Athena Liu went to Yale together, moved to D.C. after graduation, and are both writers, but the similarities end there. While June has had little success since publication and is struggling to write her second novel, Athena has become a darling of the publishing industry, much to June’s frustration. When Athena suddenly dies, June, almost accidentally, walks off with her latest manuscript, a novel about the World War I Chinese Labour Corps. June edits the novel and passes it off as her own, and no one seems the wiser, but once the novel becomes a smash success, cracks begin to form. When June faces social media accusations and staggering writer’s block, she can’t shake the feeling that someone knows the truth about what she’s done. This satirical take on racism and success in the publishing industry at times veers into the realm of the unbelievable, but, on the whole, witnessing June’s constant casual racism and flimsy justifications for her actions is somehow cathartic. Yes, publishing is like this; finally someone has written it out. At times, the novel feels so much like a social media feed that it’s impossible to stop reading—what new drama is waiting to unfold. and who will win out in the end? An incredibly meta novel, with commentary on everything from trade reviews to Twitter, the ultimate message is clear from the start, which can lead to a lack of nuance. Kuang, however, does manage to leave some questions unanswered: fodder, perhaps, for a new tweetstorm.
A quick, biting critique of the publishing industry.Pub Date: May 16, 2023
ISBN: 9780063250833
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
