Dark academia as it should be.
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Can the British Empire, built on the power of foreign languages and magic, maintain its grip on the globe?
In 1829, professor Richard Lovell brings a young Chinese boy now known as Robin Swift from his home in Canton to England. Saved from the cholera outbreak that claimed the rest of his family, Robin has the chance to begin a new, comfortable life at professor Lovell's estate. In exchange for food and lodging, he will spend years studying Latin, Greek, and Mandarin to prepare himself to enter Oxford’s Royal Institute of Translation, known as Babel. In Oxford, Robin meets other students who are not so different from him: young people brought to England from other countries to maintain the empire. Britain has built its power upon silver bars and the magical powers imparted to them by translation, but in order to maintain that power, Britain needs foreigners and their languages. Though Robin and his friends are met with racism, they also find true joy in their studies and the heady business of translation. Soon, Robin learns of the secretive Hermes Society, a group working against the hegemony of the Royal Institute of Translation. As Robin’s studies continue, he begins to question the colonial machine from which he can’t seem to break free. Kuang draws a keen parallel between extracting knowledge and extracting resources, examining the terrible power of systems built on inequality and the uncomfortable experiences of the marginalized within those systems, whether due to race or gender. While occasionally hampered by rather self-aware critiques of colonialism, in general this is an expansive, sympathetic, and nevertheless scathing critique of Western imperialism and how individuals are forced to make their peace with the system and survive or to fight back and face the consequences. It's ambitious and powerful while displaying a deep love of language and literature.
Dark academia as it should be.Pub Date: Aug. 23, 2022
ISBN: 978-0-06-302142-6
Page Count: 560
Publisher: Harper Voyager
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Categories: LITERARY FICTION | FANTASY | GENERAL FANTASY | HISTORICAL FANTASY | GENERAL SCIENCE FICTION & FANTASY
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BOOK REVIEW
BOOK REVIEW
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
A fictional account of the agony and ecstasy of making a movie, from someone who’d know.
For his sprightly debut novel, actor/writer/national treasure Hanks—author of the story collection Uncommon Type, 2017—imagines the making of Knightshade: The Lathe of Firefall, a mashup of Marvel-esque superhero fare, war story, and artsy melodrama. The movie’s concept seems like an unworkable, even bad idea, which is part of the point—Hanks stresses the notion that successful movies aren’t just a matter of story but the people who make them. So he’s assembled an engrossing cast of characters: Bob Falls, the World War II vet who served as a flamethrower in the Pacific theater and became a PTSD–struck biker; Robby Andersen, the nephew who turned him into alternative-comix antihero Firefall; Bill Johnson, the well-decorated Spielberg-ian director who acquires the Firefall property and writes the script; and the small army of actors, assistants, and technicians charged with shooting the film in the Northern California town of Lone Butte—on time, lest morale collapse and the budget inflate. Hanks ably depicts how easily things derail. The male lead’s ego wrecks the shooting schedule. A stray social media post complicates security. On-set flirtations threaten a marriage. But the novel reflects the sunny stick-to-it-iveness of many of Hanks’ roles, and his central thesis is that every movie’s true hero is anybody who reduces friction. To that end, his most enchanting and best-drawn characters are the director’s assistant, Al Mac-Teer (full name Allicia), and Ynez Gonzalez-Cruz, a ride-share driver with no movie experience but a knack for problem-solving. “Most of the film business is done by meeting folks,” one character says, and Hanks suggests that meeting the right people—and being kind to them—is half the battle of successful moviemaking. Overly romantic? Consider the source. Regardless, it’s a well-turned tale of a Hollywood (maybe) success. (Sikoryak illustrates some comic-book pages related to the Firefall backstory and film.)
A loose-limbed, bighearted Hollywood yarn.Pub Date: May 9, 2023
ISBN: 9780525655596
Page Count: 448
Publisher: Knopf
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
Categories: GENERAL FICTION | LITERARY FICTION
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