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The Grand Junction

Short and sweet; a mosaic of people, places and culture well worth knowing.

Costanzo (Restoration, 2014, etc.) presents his readers with a lush, literary portrait of family and culture across America after the second world war.

Tommy Caruso hasn’t seen his mascalzone (scoundrel) of a father for years, but he has his own life to live. His mother may have sent him to America from Naples to track down the deadbeat, but Tommy is more concerned with keeping track of his girlfriends. What’s more, the place mentioned in his last disappointing Christmas card—Livingstone, Colorado—doesn’t even seem to exist. The introduction is stunted by Tommy’s lack of investment in the search, but once he starts across the country, spurred on by his mother’s unquenchable temper, the story picks up speed. Tommy meets an excellent cast of secondary characters, uncovers layer upon layer of his father’s double life, and he soon realizes that the real story goes much deeper into the realms of crime, deception and American history than he could have imagined. But while Tommy’s discovery of his father’s life and the various branches of the Caruso family are fascinating, the novel’s greatest strength is in its breadth rather than its depth. From Laurie, a young woman who wants nothing more than to escape the dullness of her family, to Dolores, a Navajo girl hoping to use her college education to help her people, Tommy rarely witnesses a piece of American culture without also finding its opposite. And while he stumbles through his own life, he remains open to the stories around him. Even when he stays in one place for a while, he never stands still, becoming a barber and a chef in turn, meeting men out of history and forging memories of home in to a brilliant future. Tommy abruptly disappears from these jobs to continue his search, lending the novel a disjointed atmosphere at times, but overall, the story flows naturally, knitting together stories of both the beauty of the American dream and the failings of American reality.

Short and sweet; a mosaic of people, places and culture well worth knowing.

Pub Date: June 17, 2014

ISBN: 978-1483411989

Page Count: 176

Publisher: Lulu

Review Posted Online: Aug. 13, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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