A journalist’s carefully plotted story shines in its depiction of Italian culture.
A man’s return to his childhood home in Italy connects him to the controversial attempts to restore an old church.
The new novel from Costanzo (Graphic Times, 2008) first follows Carlo Strazzi, a teacher in the fictional mountain town of Roccamonti in the province of Calabria, Italy, where life centers on family ties and the crumbling church of Santa Prisca. Carlo’s brother, his brother’s wife and their son are leaving for America when old disputes come tumbling to the fore, involving the first and second restoration attempts of the church. Later, Stefano Strazzi returns to his home of Roccamonti to visit his uncle, Carlo, and becomes a benefactor of the third attempt to restore the church. Roccamonti and the slow pace of life along Via della Scala renews Stefano, and he finds he is prolonging his stay, much to the anger of his wife, who is waiting for him to join her. Stefano learns of the debate surrounding the previous restoration attempts and the anger Carlo feels toward the whole charade. As Stefano becomes reacquainted with the town of his childhood, he also becomes intertwined in the drama that continues his uncle’s bloodlust for revenge. Constanzo only reveals the intricacies of the plot at the very end of the novel, a tell-tale sign of the author’s affinity for mystery writing. The foundation of the story is laid out well, with a journalist’s attention to facts, but also working poetry and the Italian language into writing that is otherwise unemotional. While Costanzo grounds the story in the telling of Strazzi family history, the characters of the town of Roccamonti and the mystifying back story, the climax comes late with the resolution feeling rushed and confused. Despite the shaky ending, Costanzo’s second novel is bolstered by his intimate knowledge of life in an Italian village.
A journalist’s carefully plotted story shines in its depiction of Italian culture.Pub Date: Nov. 28, 2011
ISBN: 978-1-936185313
Page Count: 372
Publisher: Charles River
Review Posted Online: Nov. 14, 2011
Kirkus Reviews Issue: Dec. 1, 2011
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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