Next book

Birds of Passage

AN ITALIAN IMMIGRANT COMING OF AGE STORY

A refreshing rethink of the archetypal mafia novel.

This riveting debut novel by Giordano charts the passage of two young Italian men to early twentieth century New York, as they strive to make their mark in the New World.

Leonardo has a strong sense of rectitude, and respect for his family, yet a life in Naples, for him, signals a life wasted. Hugging farewell to his tearful mother, he boards the steamship Prinzessin Irene, bound for Ellis Island, New York. Carlo, meanwhile is the son of the powerful Don Salvatore Mazzi, who flees to America to avoid being arrested for murder. Arriving in the great metropolis, they soon become all too aware how Italians are the target of brutal discrimination. One passerby remarks: “Did you get a whiff of that? Italians from down in the boot reek of garlic and body odor.” [103] In a city that appears to have pitted itself against them, the men must fight for recognition. Leonardo seeks an honest path, vying for work in the dockyards among the Irish, who despite being marginalized themselves, reject Italians as subhuman. Carlo meanwhile becomes involved in a counterfeiting scam which goes horribly wrong. The two men’s paths finally cross when they share lodgings and fall in love with the same woman, the beautiful and enigmatic Azzura Medina. The novel demonstrates how the rapacious nature of big city life, and machinations of the criminal underworld rapidly shapes and distorts the new arrivals’ characters. A sense desperation and viciousness is palpable: “Carlo withdrew the knife and dug it into Shippen’s chest. Shippen’s eyes bulged. He squirmed. Carlo withdrew the knife and raised it to stab again. Shippen made a choking sound. His eyes dulled, and he stopped struggling”. [112] Yet, the novel is held together by a carefully structured plot that does not rely merely on gratuitous violence. The psychological development of Leonardo and Carlo is fascinating, although the author may slightly neglect describing the outer appearance of his characters in detail. Part thriller, part love story, part coming-of-age narrative, this book’s appeal reaches successfully beyond the often restrictive confines of its genre.

A refreshing rethink of the archetypal mafia novel.

Pub Date: Oct. 8, 2015

ISBN: 978-1-941861-08-0

Page Count: 272

Publisher: Harvard Square Editions

Review Posted Online: Sept. 11, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 333


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller

Next book

THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Awards & Accolades

Likes

  • Readers Vote
  • 333


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller

A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

Next book

THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Close Quickview