A roller-coaster ride to the finish, this book confirms Giordano as a writer to eagerly watch.
Giordano (Birds of Passage, 2014) introduces Anthony Provati, a reckless Lothario who becomes a hunted man in a global showdown of vicious organized criminals and terrorists.
Anthony Provati, lounge pianist and gallery owner, has an ill-advised flirtation with the mistress of a dangerous Russian mob boss, Gorgon Malakhov. Gorgon is a jealous, vengeful monster with a bloodthirsty bodyguard, and the woman, Sophia, is both terrified and conniving. Tensions escalate between Provati and Malakhov while Provati and Sophia relieve considerable tension together. Provati’s life is now in danger, and in one of a few plot contrivances, he seeks help from his NYPD friend who happens also to be on the mobster’s hit list. What follows is a parade of brutal deplorables—Italian, Colombian, and Jewish mobsters in New York, then corrupt Russian intelligence agents, Italian Mafiosi, fine-art thieves, and ex-Egyptian government spies when the action moves to Europe and the Middle East. At the end of the road is the Islamic State in the Levant, known as ISIL or ISIS, the most heinous of the nonstate terrorists. The threats feel very real. The plotting and writing throughout are taut and the stakes are very high. Not only are individual lives in peril, but plans are laid for massive attacks and enormous security breaches. Sales of submarines, Strontium-90 (a component of diabolical “dirty bombs”), and shoulder-launched surface-to-air missiles are all part of the high-level negotiations. Also mixed into the nefarious loot are massive amounts of heroin and three small, but priceless, Vermeer paintings. The book could benefit from moderating some of the villains for more impact; Malakhov’s gambit, for example, when approaching Provati is to threaten his close friend and employee: “Well, just so you know, if you cross me again I’ll rape her in front of you. I’ll parade in my men, and they’ll do her three at a time while you watch, then I’ll slit her throat. Your death will be neither slow nor easy.” Provati is an unlikely, intemperate hero but an enjoyable one.
A roller-coaster ride to the finish, this book confirms Giordano as a writer to eagerly watch.Pub Date: June 15, 2017
ISBN: 978-1-941861-34-9
Page Count: 306
Publisher: Harvard Square Editions
Review Posted Online: Dec. 2, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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