A roller-coaster ride to the finish, this book confirms Giordano as a writer to eagerly watch.
Giordano (Birds of Passage, 2014) introduces Anthony Provati, a reckless Lothario who becomes a hunted man in a global showdown of vicious organized criminals and terrorists.
Anthony Provati, lounge pianist and gallery owner, has an ill-advised flirtation with the mistress of a dangerous Russian mob boss, Gorgon Malakhov. Gorgon is a jealous, vengeful monster with a bloodthirsty bodyguard, and the woman, Sophia, is both terrified and conniving. Tensions escalate between Provati and Malakhov while Provati and Sophia relieve considerable tension together. Provati’s life is now in danger, and in one of a few plot contrivances, he seeks help from his NYPD friend who happens also to be on the mobster’s hit list. What follows is a parade of brutal deplorables—Italian, Colombian, and Jewish mobsters in New York, then corrupt Russian intelligence agents, Italian Mafiosi, fine-art thieves, and ex-Egyptian government spies when the action moves to Europe and the Middle East. At the end of the road is the Islamic State in the Levant, known as ISIL or ISIS, the most heinous of the nonstate terrorists. The threats feel very real. The plotting and writing throughout are taut and the stakes are very high. Not only are individual lives in peril, but plans are laid for massive attacks and enormous security breaches. Sales of submarines, Strontium-90 (a component of diabolical “dirty bombs”), and shoulder-launched surface-to-air missiles are all part of the high-level negotiations. Also mixed into the nefarious loot are massive amounts of heroin and three small, but priceless, Vermeer paintings. The book could benefit from moderating some of the villains for more impact; Malakhov’s gambit, for example, when approaching Provati is to threaten his close friend and employee: “Well, just so you know, if you cross me again I’ll rape her in front of you. I’ll parade in my men, and they’ll do her three at a time while you watch, then I’ll slit her throat. Your death will be neither slow nor easy.” Provati is an unlikely, intemperate hero but an enjoyable one.
A roller-coaster ride to the finish, this book confirms Giordano as a writer to eagerly watch.Pub Date: June 15, 2017
ISBN: 978-1-941861-34-9
Page Count: 306
Publisher: Harvard Square Editions
Review Posted Online: Dec. 2, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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