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EVIL IN TECHNICOLOR

Plenty of standouts are on display in this gruesome grab bag of literary terror.

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Ten spooky stories pay tribute to the wicked delights of classic and modern gothic horror fiction in this anthology.

Editor McDermott combines aspects of horror and fantasy in this deliciously dark volume probing the depths of the unexplained and the nature of evil. The collection immediately evokes an edgy rather than an overly frightening tone with Stina Leicht’s moody “Forgiveness Is Warm Like a Tear on the Cheek.” The tale features a man wrestling with ghosts from his past in a reputedly haunted, three-story Victorian house where spirits reside in an adjacent cemetery. In order to bury the unresolved demons in his past, he must confront some present-day scares (and a few apparitions) first. Fans of deep blue ocean waters will appreciate the murky mystery emerging from the depths of the Mediterranean in fantasy writer E. Catherine Tobler’s superbly disturbing “Blue Hole, Red Sea.” A female archaeology diver confronts an ominous hieroglyphic obelisk and a majestic temple honoring female gods. McDermott’s story selections conjure a devilish panoply of players, ranging from the desperate actor in Rhiannon Rasmussen’s vampiric fantasy “The Maidens of Midnight” who finally gets her big break playing a “monster and a lesbian” to a magician prodded to teach an eager follower “real magic” in Adam Gallardo’s “The Ultimate Secret of Magic” and the young, wildly imaginative writer and Ayn Rand fan who spends her summer vacation crafting a horror novel in Molly Tanzer’s “Summer Camp Would Have Been a Lot Cheaper."

Vampires, even those who are killed only to be resurrected by their younger counterparts, reign supreme in Bonnie Jo Stufflebeam’s menacingly comic monster mashup “Hammerville.” The story references the British movie production company responsible for the gothic “Hammer Horror” films of the 1950s through the ’70s. Most tales immediately sweep readers into their atmospheric nightmares, like Craig Laurance Gidney’s “Myth and Moor,” which stars a child who seamlessly converses with a witch and the ghost of a missing kid on the heath outside her home. Still others are masterful in their slow-burn narrative setups that then spring horrific denouements on unsuspecting readers. This is true of the haunted, Maine-based B&B featured in Haralambi Markov’s cinematic gorefest “The Midnight Feast,” where a final, breathless countdown spells sheer terror. In this volume, McDermott, a co-editor of the collection of futuristic crime short fiction The Way of the Laser (2020), combines novelettes with shorter vignettes to an impressive extent. His anthology will appeal to readers of both modern horror fiction and the classic genre yarns derived from the black-and-white and early color film eras. A character in A.C. Wise’s ghost-story homage to classic horror, titled “A Thousand Faces Minus One,” says a timely, eerily relevant mouthful when she quips: “People love hidden histories and conspiracy theories.” These same readers and many more will savor this collection of the sinister, the kooky, and the creepy.

Plenty of standouts are on display in this gruesome grab bag of literary terror.

Pub Date: Oct. 1, 2020

ISBN: 978-1-952283-03-1

Page Count: 372

Publisher: Vernacular Books

Review Posted Online: Sept. 2, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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LAYLA

A unique story of transcendent love.

An aimless young musician meets the girl of his dreams only to have his newfound happiness threatened by several inexplicable—and possibly supernatural—events.

The story opens as Leeds Gabriel meets with a detective while his girlfriend, Layla, is restrained in a room one flight above them. Through the interview, readers learn that Leeds was wasting both his time and his musical talent playing backup for a small-town wedding troupe called Garrett’s Band when he spied Layla dancing her heart out to their mediocre music at a wedding. When Leeds approaches Layla, their connection is both instant and intense. A blissful courtship follows, but then Leeds makes the mistake of posting a picture of himself with Layla on social media. A former girlfriend–turned-stalker wastes no time in finding and attacking Layla. Layla spends months recovering in a hospital, and it seems the girl Leeds fell for might be forever changed. Gone is her special spark, her quirkiness, and the connection that had entranced Leeds months before. In a last-ditch effort to save their relationship, he brings Layla back to the bed-and-breakfast where they first met. When they get there, though, Leeds meets Willow, another guest, and finds himself drawn to her in spite of himself. As events unfold, it becomes clear that Willow will either be the key to saving Leeds’ relationship with Layla or the catalyst that finally extinguishes the last shreds of their epic romance. Told entirely from Leeds’ point of view, the author’s first foray into paranormal romance does not disappoint. Peppered with elements of mystery, psychological thriller, and contemporary romance, the novel explores questions about how quickly true love can develop, as well as the conflicts that can imperil even the strongest connections. Despite a limited cast of characters and very few setting changes, the narrative manages to remain both fast-paced and engaging. The conclusion leaves a few too many loose ends, but the chemistry between the characters and unexpected twists throughout make for a satisfying read.

A unique story of transcendent love.

Pub Date: Dec. 8, 2020

ISBN: 978-1-5420-0017-8

Page Count: 301

Publisher: Montlake Romance

Review Posted Online: Sept. 15, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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HELL BENT

From the Alex Stern series , Vol. 2

Well-drawn characters introduce the criminal underworld to the occult kind in a breathless and compelling plot.

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A Yale sophomore fights for her life as she balances academics with supernatural extracurriculars in this smart fantasy thriller, the second in a series.

Galaxy “Alex” Stern is a member of Lethe House, the ninth of Yale’s secret societies. And not just any member—she’s Virgil, the officer who conducts the society's rituals. In the world of Bardugo’s Alex Stern series, Yale’s secret societies command not just powerful social networks, but actual magic; it’s Lethe’s job to keep that magic in control. Alex is new to the role. She had to take over in a hurry after the previous Virgil, Darlington, her mentor and love interest, disappeared in a cliffhanger at the end of the first book. He appears to be in hell, but is he stuck there for good? Alex and Pamela Dawes—Lethe’s Oculus, or archivist/administrator—have found a reference to a pathway called a Gauntlet that can open a portal to hell, but can they find the Gauntlet itself? And what about the four murderers the Gauntlet ritual requires? Meanwhile, Alex’s past as a small-time drug dealer is catching up with her, adding gritty street crime to the demonic white-collar evil the Yale crowd tends to prefer. The plot is relentless and clever, and the writing is vivid, intelligent, and funny at just the right moments, but best of all are the complex characters, such as the four murderers, each with a backstory that makes it possible for the reader to trust them to enter hell and have the strength to leave again. Like the first book, this one ends with a cliffhanger.

Well-drawn characters introduce the criminal underworld to the occult kind in a breathless and compelling plot.

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-31310-2

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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