A well-reported, somber, troubling look at crime and punishment without justice.
Carefully written account of a tragic encounter during a Black Lives Matter protest.
Nebraska is a deep-red state, Omaha a purplish blue. While the city has made efforts to address racial inequalities, it has much still to do. As veteran journalist and debut author Sexton observes, in the demonstrations following George Floyd’s death, Omaha police were involved in more than 120 “use of force” encounters with protestors. In one zone of demonstration, a young Black man confronted a business owner and was shot to death. Instantly, as Sexton shows, a war of words ensued on social media, with White nationalists declaring that the deceased was a thug and worse and the left proclaiming that the bar owner was a racist, Nazi, and more. The story is a complex one at every turn, and the author handles it well. The business owner was a Marine veteran of Iraq and Afghanistan who ran a tight ship, including enforcing a dress code in his bar that some believed was discriminatory against young Black men; the deceased was a sometime patron with a long history of legal troubles. Yet that story was immediately simplified in the hands of ideologues. As Sexton writes, “a narrative was taking hold, and it gained momentum at extraordinary speed.” One fomenter of the narrative that the bar owner was a racist with an itchy trigger finger later admitted to Sexton that he had no evidence. However, having bombarded social media with allegations, he “could not have been prouder of his efforts.” He was far from alone, and although Omaha police did not bring charges, a prosecutor conducted a heavily politicized inquiry. Sexton does exemplary journalistic work not just in digging up the facts and interviewing family members and eyewitnesses, but also in exposing how the whirlwind of opinionating works against finding the truth on all sides.
A well-reported, somber, troubling look at crime and punishment without justice.Pub Date: May 9, 2023
ISBN: 9781982198343
Page Count: 384
Publisher: Scribner
Review Posted Online: March 24, 2023
Kirkus Reviews Issue: April 15, 2023
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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