A sweet, albeit by-the-book, tale of human connection.
A sick young boy and an elderly man looking for something to live for form a deep bond in this debut novel.
Murray McBride is turning 100, but he’s in no celebratory mood. Still mourning the death of his beloved wife, Jenny, 18 months ago, Murray feels his life has run its course. He’s outlived not only his wife, but also his two sons, who died after long lives. His only remaining family, his grandson, Chance, seems to only be after his money. Murray’s Roman Catholic faith has been the main thing keeping him from suicide recently, but he resolves to make his 100th birthday the last day he takes the daily pill his lungs need to function, figuring such a death doesn’t really count. Vaguely hoping to comfort the ailing on his last full day, Murray wanders into a local heart ward and meets someone who changes his life: 10-year-old Jason Cashman, who desperately needs a transplant and must tote around an oxygen cart. After Jason leaves the hospital with his cold, money-driven father, Murray finds a list of the boy’s five wishes to be granted before he dies. Murray mourns lost time spent with his own sons due to his professional baseball career with the Chicago Cubs, and sees an opportunity to atone. With the assistance of Jason’s wise-beyond-her-years neighbor, Tiegan Rose Marie Atherton, Murray sets out to help the boy kiss a girl, hit a home run, and fulfill his dreams. Siple’s plot devices, messages, and character types will feel very familiar to fans of Hallmark movies and other inspirational tales, and these predictable beats mean his players sometimes feel more like moving cogs than fully complex human beings. But his story is still readable and well-told. Murray’s struggle to find meaning after outliving almost everyone in his life who mattered to him is one of the book’s most sensitively rendered elements. Jason’s reckoning with mortality provides some touching moments as well. But Siple struggles to capture the speech and mannerisms of a 10-year-old boy (Jason’s emails and ebullient statements are peppered with “Schweet!” and “Dude!”), which limits his impact as a character.
A sweet, albeit by-the-book, tale of human connection.Pub Date: June 28, 2018
ISBN: 978-1-68433-040-9
Page Count: 234
Publisher: Black Rose Writing
Review Posted Online: April 17, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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