by Joe Taylor ‧ RELEASE DATE: Sept. 13, 2022
A delightfully peculiar and dreamlike tale with a playful, indelible cast.
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In this debut fantasy, a man stumbles into an adventure and a potential romance in an otherworldly land.
University of Alabama computer programmer Billy Wise uses a sick day to explore his farmland. He’s armed with a machete in case he runs into a rattlesnake or copperhead and, indeed, spots an enormous snake. Recalling a cryptic riddle in a newspaper that cited rattlesnakes, he follows this reptile into an old clawfoot bathtub—right into a bizarre world of talking animals, a unicorn, and a beautiful woman named Soapy. There’s also the huge, surprisingly amiable snake called Bogus, who takes Billy into “The House,” a seemingly magical, labyrinthine place that defies logic. It can send people to such cities as medieval Canterbury, and a train ride (inside The House) is one way to move from room to room. But while Billy mingles with warmhearted individuals, like Soapy’s shape-shifting sister, Alexandra, it’s not an entirely benevolent world. Mr. and Mrs. Snelling trade off as administrators of The House. Now, it’s Mrs. Snelling’s turn, and she doesn’t want Lady Wisdom (who’s Soapy) interfering with her rule. So she kidnaps Soapy to send her somewhere far away—or to something worse. Billy may just be an “ordinary jerk” and divorced back in Tuscaloosa, but over here, he wields his machete like a sword for battling vicious clackers (creatures that resemble wild coat hangers). He, Bogus, and others search for Soapy in the unnavigable House and face off against the fearsome Snellings, who’ve been in charge for an impossibly long time.
For much of Taylor’s quirky book, readers will be as confused as Billy. The hero, for example, has no clue where he is and tends to go where others push him, even if it means applying for a mysterious job. But Billy’s perpetual uncertainty makes him a relatable protagonist in a world of unexplainable sights. His dialogue likewise teems with hesitant, vocalized pauses, leading some to believe his name is “Uh Billy.” Still, his fascination with and attraction to Soapy ostensibly drives him, while Bogus acts as a reliable guide. Notwithstanding the story’s surreal environment, the author’s descriptions paint a clear picture, from vines that “swayed overhead like endless clusters of mating snakes” to a cobweb-laden room of weathered furniture and a lamp “cast in the form of a nude woman balancing an amber globe atop her head.” This enjoyable fantasy is replete with comedy, much of which comes courtesy of Bogus, who undermines snake stereotypes. He’s a loyal reptile with an affinity for whiskey who delivers often absurd “Bogus Dictums.” “Each and every animal,” he tells Billy, “is sad after sex.” On the other hand, the Snellings are an unnerving duo; they have power that likely can’t be measured and, most disturbingly, remind everyone of a specific someone they know. That’s not unlike gods, but Taylor retains a sense of ambiguity surrounding characters and origins until making a more overt theological connection later in the novel. While the story has a distinct resolution, there are threads left for a sequel, such as a character who inexplicably vanishes.
A delightfully peculiar and dreamlike tale with a playful, indelible cast.Pub Date: Sept. 13, 2022
ISBN: 978-1-73731-028-0
Page Count: 270
Publisher: Sley House Publishing
Review Posted Online: Oct. 15, 2022
Review Program: Kirkus Indie
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by SenLinYu ‧ RELEASE DATE: Sept. 23, 2025
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
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New York Times Bestseller
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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by Ayana Gray ‧ RELEASE DATE: Nov. 18, 2025
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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