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BAD FORM

A delightfully peculiar and dreamlike tale with a playful, indelible cast.

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In this debut fantasy, a man stumbles into an adventure and a potential romance in an otherworldly land.

University of Alabama computer programmer Billy Wise uses a sick day to explore his farmland. He’s armed with a machete in case he runs into a rattlesnake or copperhead and, indeed, spots an enormous snake. Recalling a cryptic riddle in a newspaper that cited rattlesnakes, he follows this reptile into an old clawfoot bathtub—right into a bizarre world of talking animals, a unicorn, and a beautiful woman named Soapy. There’s also the huge, surprisingly amiable snake called Bogus, who takes Billy into “The House,” a seemingly magical, labyrinthine place that defies logic. It can send people to such cities as medieval Canterbury, and a train ride (inside The House) is one way to move from room to room. But while Billy mingles with warmhearted individuals, like Soapy’s shape-shifting sister, Alexandra, it’s not an entirely benevolent world. Mr. and Mrs. Snelling trade off as administrators of The House. Now, it’s Mrs. Snelling’s turn, and she doesn’t want Lady Wisdom (who’s Soapy) interfering with her rule. So she kidnaps Soapy to send her somewhere far away—or to something worse. Billy may just be an “ordinary jerk” and divorced back in Tuscaloosa, but over here, he wields his machete like a sword for battling vicious clackers (creatures that resemble wild coat hangers). He, Bogus, and others search for Soapy in the unnavigable House and face off against the fearsome Snellings, who’ve been in charge for an impossibly long time.

For much of Taylor’s quirky book, readers will be as confused as Billy. The hero, for example, has no clue where he is and tends to go where others push him, even if it means applying for a mysterious job. But Billy’s perpetual uncertainty makes him a relatable protagonist in a world of unexplainable sights. His dialogue likewise teems with hesitant, vocalized pauses, leading some to believe his name is “Uh Billy.” Still, his fascination with and attraction to Soapy ostensibly drives him, while Bogus acts as a reliable guide. Notwithstanding the story’s surreal environment, the author’s descriptions paint a clear picture, from vines that “swayed overhead like endless clusters of mating snakes” to a cobweb-laden room of weathered furniture and a lamp “cast in the form of a nude woman balancing an amber globe atop her head.” This enjoyable fantasy is replete with comedy, much of which comes courtesy of Bogus, who undermines snake stereotypes. He’s a loyal reptile with an affinity for whiskey who delivers often absurd “Bogus Dictums.” “Each and every animal,” he tells Billy, “is sad after sex.” On the other hand, the Snellings are an unnerving duo; they have power that likely can’t be measured and, most disturbingly, remind everyone of a specific someone they know. That’s not unlike gods, but Taylor retains a sense of ambiguity surrounding characters and origins until making a more overt theological connection later in the novel. While the story has a distinct resolution, there are threads left for a sequel, such as a character who inexplicably vanishes.

A delightfully peculiar and dreamlike tale with a playful, indelible cast.

Pub Date: Sept. 13, 2022

ISBN: 978-1-73731-028-0

Page Count: 270

Publisher: Sley House Publishing

Review Posted Online: Oct. 15, 2022

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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