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Francine

Anyone surrendering to this surreal, digression-prone saga might just enjoy the ride.

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A globetrotting, time-traveling, philosophical sci-fi novel from Taylor.

Francine, the narrator and protagonist of this chaotic stew of a historical novel, is (in Kurt Vonnegut’s memorable phrase) “unstuck in time.” And that’s the least of it. Francine bounces all around history, popping up in various times and places, though, chronologically, she does have a home—sometime in the 17th century, in her little traveling box on a ship that has left Amsterdam and is sailing to destinations unknown. She is with her “Poppà” who may or may not be René Descartes (as she later claims). It’s important to note that Poppà is French and a brilliant mathematician, but also a lousy poet. And Francine is actually a very cleverly fashioned automaton, all the rage in that era. But somehow Francine actually acquires a soul and comes to life, rather like Pygmalion’s Galatea. If there is an intellectual basis to the story here, it is Friedrich Nietzsche’s theory of eternal return: the idea that one’s life could be on something like a never-ending loop. For obvious reasons, Francine is a big believer in “I think therefore I am,” though perhaps it should be “I talk therefore I am,” because talk she does, flitting from one memory to another like a drunken hummingbird.

But Francine is not just a good talker. She helped Walt Whitman nurse Civil War soldiers in Washington, D.C. She was at Trinity Site for the detonation of the first atomic bomb and in Paris at the time of the Terror. She was at Salem for the witch trials. She even makes scathing comments about Donald Trump: “I should know my enemy.” In an anecdote that stands alone, B.F. Skinner’s daughter takes her on a wild motorcycle ride—that’s how random this novel can be. None of this seems to confirm the Nietzschean eternal recurrence supposition exactly, only that Francine has a free pass to roam through time and make trenchant judgments and observations. But at some point, the reader will wonder just where all of this is leading. Early on, Francine says, “Mysteries are only confusing when you think about them.” Right. So we are invited to go along for the ride and learn about her love life (she’s bi-) and witness many random historical cameos (Emily Dickinson, Charles Bukowski, Alan Turing, Camus, and Sartre) while a storm rages at sea and the sailors on this ship to nowhere begin to suspect, as 17th-century sailors will, that this so-called automaton—Poppà and Francine sequester themselves in their cabin but the sailors can hear them talking—is in fact a witch who, of course, needs to be thrown overboard to placate the weather. Finally, when Francine is hoisted aloft by the angry sailors, facing a fate that is still unclear, she is still talking, still philosophizing. Although Taylor asks a lot of his readers in terms of attention span and suspended disbelief, there are intermittent rewards throughout the novel if one is patient enough to find them.

Anyone surrendering to this surreal, digression-prone saga might just enjoy the ride.

Pub Date: Jan. 1, 2026

ISBN: N/A

Page Count: -

Publisher: Main Street Rag

Review Posted Online: Oct. 2, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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