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FRANCINE

Anyone surrendering to this surreal, digression-prone saga might just enjoy the ride.

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A globetrotting, time-traveling, philosophical sci-fi novel from Taylor.

Francine, the narrator and protagonist of this chaotic stew of a historical novel, is (in Kurt Vonnegut’s memorable phrase) “unstuck in time.” And that’s the least of it. Francine bounces all around history, popping up in various times and places, though, chronologically, she does have a home—sometime in the 17th century, in her little traveling box on a ship that has left Amsterdam and is sailing to destinations unknown. She is with her “Poppà” who may or may not be René Descartes (as she later claims). It’s important to note that Poppà is French and a brilliant mathematician, but also a lousy poet. And Francine is actually a very cleverly fashioned automaton, all the rage in that era. But somehow Francine actually acquires a soul and comes to life, rather like Pygmalion’s Galatea. If there is an intellectual basis to the story here, it is Friedrich Nietzsche’s theory of eternal return: the idea that one’s life could be on something like a never-ending loop. For obvious reasons, Francine is a big believer in “I think therefore I am,” though perhaps it should be “I talk therefore I am,” because talk she does, flitting from one memory to another like a drunken hummingbird.

But Francine is not just a good talker. She helped Walt Whitman nurse Civil War soldiers in Washington, D.C. She was at Trinity Site for the detonation of the first atomic bomb and in Paris at the time of the Terror. She was at Salem for the witch trials. She even makes scathing comments about Donald Trump: “I should know my enemy.” In an anecdote that stands alone, B.F. Skinner’s daughter takes her on a wild motorcycle ride—that’s how random this novel can be. None of this seems to confirm the Nietzschean eternal recurrence supposition exactly, only that Francine has a free pass to roam through time and make trenchant judgments and observations. But at some point, the reader will wonder just where all of this is leading. Early on, Francine says, “Mysteries are only confusing when you think about them.” Right. So we are invited to go along for the ride and learn about her love life (she’s bi-) and witness many random historical cameos (Emily Dickinson, Charles Bukowski, Alan Turing, Camus, and Sartre) while a storm rages at sea and the sailors on this ship to nowhere begin to suspect, as 17th-century sailors will, that this so-called automaton—Poppà and Francine sequester themselves in their cabin but the sailors can hear them talking—is in fact a witch who, of course, needs to be thrown overboard to placate the weather. Finally, when Francine is hoisted aloft by the angry sailors, facing a fate that is still unclear, she is still talking, still philosophizing. Although Taylor asks a lot of his readers in terms of attention span and suspended disbelief, there are intermittent rewards throughout the novel if one is patient enough to find them.

Anyone surrendering to this surreal, digression-prone saga might just enjoy the ride.

Pub Date: Jan. 1, 2026

ISBN: 9781964277561

Page Count: 84

Publisher: Main Street Rag

Review Posted Online: Oct. 2, 2025

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THE FINAL TARGET

A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.

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An author is targeted by a fan who just can’t let her go.

Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.

A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.

Pub Date: May 26, 2026

ISBN: 9781250413581

Page Count: 432

Publisher: St. Martin's

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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