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BAD FORM

A delightfully peculiar and dreamlike tale with a playful, indelible cast.

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In this debut fantasy, a man stumbles into an adventure and a potential romance in an otherworldly land.

University of Alabama computer programmer Billy Wise uses a sick day to explore his farmland. He’s armed with a machete in case he runs into a rattlesnake or copperhead and, indeed, spots an enormous snake. Recalling a cryptic riddle in a newspaper that cited rattlesnakes, he follows this reptile into an old clawfoot bathtub—right into a bizarre world of talking animals, a unicorn, and a beautiful woman named Soapy. There’s also the huge, surprisingly amiable snake called Bogus, who takes Billy into “The House,” a seemingly magical, labyrinthine place that defies logic. It can send people to such cities as medieval Canterbury, and a train ride (inside The House) is one way to move from room to room. But while Billy mingles with warmhearted individuals, like Soapy’s shape-shifting sister, Alexandra, it’s not an entirely benevolent world. Mr. and Mrs. Snelling trade off as administrators of The House. Now, it’s Mrs. Snelling’s turn, and she doesn’t want Lady Wisdom (who’s Soapy) interfering with her rule. So she kidnaps Soapy to send her somewhere far away—or to something worse. Billy may just be an “ordinary jerk” and divorced back in Tuscaloosa, but over here, he wields his machete like a sword for battling vicious clackers (creatures that resemble wild coat hangers). He, Bogus, and others search for Soapy in the unnavigable House and face off against the fearsome Snellings, who’ve been in charge for an impossibly long time.

For much of Taylor’s quirky book, readers will be as confused as Billy. The hero, for example, has no clue where he is and tends to go where others push him, even if it means applying for a mysterious job. But Billy’s perpetual uncertainty makes him a relatable protagonist in a world of unexplainable sights. His dialogue likewise teems with hesitant, vocalized pauses, leading some to believe his name is “Uh Billy.” Still, his fascination with and attraction to Soapy ostensibly drives him, while Bogus acts as a reliable guide. Notwithstanding the story’s surreal environment, the author’s descriptions paint a clear picture, from vines that “swayed overhead like endless clusters of mating snakes” to a cobweb-laden room of weathered furniture and a lamp “cast in the form of a nude woman balancing an amber globe atop her head.” This enjoyable fantasy is replete with comedy, much of which comes courtesy of Bogus, who undermines snake stereotypes. He’s a loyal reptile with an affinity for whiskey who delivers often absurd “Bogus Dictums.” “Each and every animal,” he tells Billy, “is sad after sex.” On the other hand, the Snellings are an unnerving duo; they have power that likely can’t be measured and, most disturbingly, remind everyone of a specific someone they know. That’s not unlike gods, but Taylor retains a sense of ambiguity surrounding characters and origins until making a more overt theological connection later in the novel. While the story has a distinct resolution, there are threads left for a sequel, such as a character who inexplicably vanishes.

A delightfully peculiar and dreamlike tale with a playful, indelible cast.

Pub Date: Sept. 13, 2022

ISBN: 978-1-73731-028-0

Page Count: 270

Publisher: Sley House Publishing

Review Posted Online: Oct. 15, 2022

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SONGS OF THE DEAD

From the Strata Wars series , Vol. 1

A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.

After being murdered and inexplicably reborn, a heavy metal musician sets out on a journey of self-discovery with nothing short of the future of humankind at stake in the first installment of Sanderson and Orullian’s Strata Wars saga.

Jack Solomon is not having a good day. After moving to London from the mean streets of Los Angeles and starting a metal band called the Hounds of Winter, he’s been kicked out of the group just weeks before they’re scheduled to open for Black Sabbath at Wembley Stadium. While Jack is walking with his good friend Henry Wilkinson—a father figure of sorts who has mentored Jack over the years and owns the music venue the Iron Horse—they are both shot and (seemingly) killed. Then Jack regains consciousness and finds himself in a hellscape with a massive mountain of fire in the distance and countless human statues everywhere. After Henry appears in the vision, telling Jack, “You’ve got more to do,” Jack awakens in front of Henry’s flat, unharmed but covered in blood. With Henry’s body missing, Jack begins to understand his new reality: He’s a thanatist (don’t call him a necromancer) and Henry’s venue hides an entrance to the Strata—“several long periods of London history that have coalesced to form layers of the past.” The Strata are inhabited by gruesome creatures and millions of memories, and Jack discovers that someone wants to take over the Iron Horse, with its staircase to every level of the Strata, and begin a revolution where music (curated by a madman) can change the future of humanity. The many shoutouts to legendary bands notwithstanding, this novel is powered by two elements: the exceptional worldbuilding of the subterranean Strata, whose potential is virtually limitless; and Jack’s deeply personal healing journey, which includes forgiving others—like his mother, who abandoned him—and himself. Jack’s story arc is comparable to his adventures in the Strata: The deeper he descends into the Strata, the deeper he delves into himself.

A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.

Pub Date: June 16, 2026

ISBN: 9781668068144

Page Count: 464

Publisher: Saga/Simon & Schuster

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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