Next book

THE WORLD'S THINNEST FAT MAN

A strange, witty, and not always likable protagonist headlines this assemblage of diverting tales.

Taylor’s collection of short stories revolves around a Kentucky-born man’s life of misadventures and failed romances.

Josey stops by a New Orleans voodoo shop in “The Woman Who Wouldn’t Talk, the Man Who Wouldn’t Listen.” He’s there specifically to see Madame LaBonne, hoping she can do something about his peculiar circumstances—his love, Sally, has run off with another woman. This is just one of 18 stories featuring Josey throughout his life, set in such places as West Palm Beach and his hometown of Lexington, Kentucky. Life has its ups and downs—mostly comical downs—in this collection. Josey winds up on a blind date in the story “Faithful Companion,” in which a woman named Sarah takes him to the dentist’s office next to her apartment. She promises him a surprise, but the dentist’s unforeseen arrival may upend whatever she has planned. Josey gradually develops into the “world’s thinnest fat man”; for the socially inept Josey, the appellation represents the “hot air” he tends to spew. Sometimes he’s a spectator in tales that focus on other characters, from a co-worker who tries to kick alcohol by switching to heroin to the University of Kentucky campus barber who vows to take revenge on whoever kicked a dent into his Cadillac convertible. “Meanwhile on Limestone Street: Time, Mass, and Energy Masquerade as Free Will” best exemplifies this collection’s theme and central character, with its titular street in Lexington sparking memories of ex-lovers and familiar spots, including the U.K. bookstore where Josey was a trade book buyer for five years.

Taylor dishes out much quirkiness and many laughs in this book. One story finds Josey determined to identify the “Phantom Tipper” who leaves waiters $500 bills, while in another story, on a friend’s advice, he makes a date with a woman in Florida nearly a month in advance. Not all the humor lands, however. Josey seems to revel in being “politically incorrect,” which entails intermittent uses of racial and homophobic slurs in what are meant to be humorous ways. Standouts among the stories’ supporting casts include Madame LaBonne and some would-be thieves in her shop; Darlene, an ex whose mere memory evidently flusters Josey; and an unexpectedly easygoing stranger at a Florida bar. The stories also delve into serious subject matter; “Alpha and Omega” shines a bright light on Catholicism, followed by “The Evening Star Is Not a Star,” in which Josey’s pal Jeff proposes a risky dive off a pier at high tide. Taylor’s writing is consistently clever, and he occasionally plays with narrative perspectives and timelines. Josey doesn’t always narrate the stories. In “Meanwhile,” an omniscient narrator relays bits and pieces of Josey’s life and, at one point, apparently coaxes him into action: “Hold up, Josey. Could you trot back a few steps? Pretty please?” Similarly, “Judas” opens with his first-person perspective, which almost instantly shifts to Josey imagining the point of view of young Leslie, a girl he once spent a Saturday with tracking down a local peacock.
A strange, witty, and not always likable protagonist headlines this assemblage of diverting tales.

Pub Date: Jan. 27, 2024

ISBN: 9781604893830

Page Count: 200

Publisher: N/A

Review Posted Online: March 15, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 186


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 186


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 55


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Awards & Accolades

Likes

  • Readers Vote
  • 55


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

Close Quickview